This book is a graphic melodrama of romance, crime, and passion. It addresses adolescent angst in all of its fashionably gory details. The snares and pitfalls of contemporary life, which all girls must struggle to survive, are here revealed through darkly comic and fiendishly noir prose, accompanied by lurid collages and unusual typography. -- Source of annotation: Marvin or Ruth Sackner.

This book is a collaboration of writing by Johanna Drucker, artwork by Susan Bee, designed by both artists and published by Steve Clay. The theme deals with young girls' fantasies in their relations with themselves and boys. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition curated by Susan Bee. -- Source of annotation: Marvin or Ruth Sackner.

The poem is by Bernstein and the illustrations and by Susan Bee. The covers were designed by Susan Bee and Philip Gallo. -- Source of annotation: Marvin or Ruth Sackner.

This anthology is mostly concerned with feminist issues. -- Source of annotation: Marvin or Ruth Sackner.

A review of Adolf Wolfli's exhibition and catalogue at the NYU Gray Gallery is included (this show was attended by the Sackners). -- Source of annotation: Marvin or Ruth Sackner.

Includes a discussion with several artists about Racism in the arts. Charles Bernstein contributes a review two Situationist exhibition catalogues. -- Source of annotation: Marvin or Ruth Sackner.

This final issue of this periodical depicts visual works of contributors rather than the solely exclusively text pieces of previous issues. It includes an index to all the prior issues. -- Source of annotation: Marvin or Ruth Sackner.

In this surrealistic drawing, the lungs are depicted as an image projector, with the external upper half of the torso as that image. A caption and a schematic of the eye imply that the artist is drawing or painting that image. The overall effect of Bee's drawing appears to relate to Hans Arp's ideas of the importance of breathing rhythms to the creation of art. This drawing appears in the periodical, Generator No.3. -- Source of annotation: Marvin or Ruth Sackner.

This issue is devoted to artists who use language, text or writing in their work. In each essay, the artist describes his/her background with text and modes of creativity. Kenneth Goldsmith describes his sculpture "Steal This Book" based on Abbie Hoffman's book.This work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition, subtitled "Text and/as Image and/as Design and/as Meaning," was an interdisciplinary exhibition of visual art, artists' books, graphic design, and visual poetry by artists who were examining the ways that texts and images produced meaning in contemporary society, specifically in the United States in the 1990s. In a detailed essay, the curator, Johanna Drucker writes, "In the late 20th century artists in all areas work with an awareness of the legacy of conceptual art's attention to language and idea, with pop art and postmodernism's interest in appropriating language and image from the realm of popular and consumer culture, and with the ongoing engagement of artists with a commitment to the traditions of innovative expression." The Sackner Archive lent twenty five works to this exhibition and are acknowledged in the curator's note. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition deals with poetry off the page onto the walls of the gallery, including sculptures, paintings, films and videos. Curated by Jay Sanders and Charles Bernstein, the works "offer a constellation of intellectually compelling, poetically dense, visually dazzling works that represent some of the most exciting efforts in current practice." Catalogue essays were contributed by Jay Sanders and Charles Bernstein. Johanna Drucker's text is titled, "Plastic Modalities: Emerging Sentience." Tom Phillips' text is from "Notes on A Humument." The Sackners lent eight original pages from "A Humument." John Cage describes his work "Not Wanting To Say Anything About Marcel," a work lent to the exhibition by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

An essay in this catalogue by Johanna Drucker deals mainly with the biography and work of Miriam Laufer who was the mother of Susan Bee. -- Source of annotation: Marvin or Ruth Sackner.