Lithographs by Joan Miro. One collage of cut papers by Brossa. Published as an homage by Brossa on the occasion of Miro's eightieth birthday. -- Source of annotation: Marvin or Ruth Sackner.

This book provides a brief biography and an example of their work by several older as well as younger Spanish poet/artists. -- Source of annotation: Marvin or Ruth Sackner.

Interview with Joan Brossa by Imma Julian, "Conversation con Joan Brossa un Grafista Insolito," appears on pp. 8-13. A poem object by Brossa is reproduced in color on cover. -- Source of annotation: Marvin or Ruth Sackner.

Joan Brossa's print "Poema Visuale" is depicted in this catalogue; the Sackner Archive holds this print. The stapled pages constitute a check list of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This small booklet of letter poems is dedicated to Joan Brossa. They all contain the letter A in various sizes, typefaces, and fragmentations. -- Source of annotation: Marvin or Ruth Sackner.

Second edition. Originally published in 1975. -- Source of annotation: Marvin or Ruth Sackner.

The cards consist of photographic reproductions by Joan Fontcuberta of objects made by Brossa. -- Source of annotation: Marvin or Ruth Sackner.

One of the plastic cases contains a videotape of Ferrando's poetic performances. The other contains 1) two booklets entitled, Escrits and Dades, and 2) a collection of cards printed in color that illustrate his poem and book objects, one to a card. Joan Brossa and Julien Blaine contribute tributes to Ferrando in "Escrits" as sound poems. "Dades" consists of a listing of Ferrando's artistic and poetic activities. One of the objects illustrated in the collection of cards, "Lletra Coixa," is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The first section in this exceptional catalogue consists of essays by Josep Salvador and Pilar Parcerisas that comment on the Brossa's visual poetic works. The second section contains essays by Jaume Perez Montaner and Pilar Palomer about Brossa's artist books and literary works. Both sections are profusely illustrated. This catalogue also reproduces images from the books "Oda a Joan Miro"1969 and "Tres Joans" 1978 as well as the print, "Poema Visual" [Letter poem enclosed within a piano image] 1982, works held by the Sackner Archive. All works are well documented. -- Source of annotation: Marvin or Ruth Sackner.

Victoria Combalia writes in her essay The Disturbing Objects of Joan Brossa that "certain themes on Brossa's work are easily recognized as 'Brossian': masks, letters of the alphabet, ordinary objects from daily life, playing cards...Perhaps the most important motif - or at the least the most utilized - by Brossa are letters of the alphabet. Brossa works with them as Cezanne did with his apples; he uses them in every way and in all places, as they are for him his dearest motif." In terms of his visual poetry, Combalia states that it "belongs to the long tradition of experimental poetry, in the line that goes from Mallarme to concrete poetry." -- Source of annotation: Marvin or Ruth Sackner.

Accompanied by an etching by Tapies executed especially for this limited edition. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the deluxe edition (100 copies) was made of wood. The Sackner copy is the regular edition (400 copies) in which the cover is made from cardboard. The aquatint by Amat that is printed across the verso of all the pages depicts a thick black rope. This book is depicted in Brossa's exhibition catalogue "Bverso Brossa" (2009), -- Source of annotation: Marvin or Ruth Sackner.