This unpublished manuscript provides instructions for making highly advanced kinetic poems that apparently were never realized. Houedard recommended devices, film or programs without mentioning computers for making them. These projected poems anticipate digital poetry. For storage purposes, the staple was removed and the individual pages stored in a binder with other Houedard manuscripts.. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consisted mainly of international small magazines, experimental novels and graphics depicting concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

Several listings in this Catalog refer to the Sackner Archive catalog of 1986. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Phil Baines. -- Source of annotation: Marvin or Ruth Sackner.

The artists in this catalogue were selected based upon their appearance in Hans Sohm's exhibition, "Happenings & Fluxus," 1971. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features typography. photography, applied arts, architecture, general art books and catalogues. -- Source of annotation: Marvin or Ruth Sackner.

The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.

On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.

On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.

On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.

On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts the shape of the Leaning Tower of Pisa created totally of text. The verso indicates that the original is in the collection of Hansjorg Mayer. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Melania Gazzotti. Most of the books in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheet contains an essay by Jasia Reichardt describing the history of artists books. The introduction to this catalogue provides a sampling of pages from books published by students at Watford School of Art from 1966-1974. This is followed by a larger section of pages, mostly visual art from students at the school in 1974. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue deals with the works published by Mayer as well as his own experiments in concrete poetry. It is profusely illustrated with works by artist/poets published by the press and also with reproductions of Mayer's monoprints. -- Source of annotation: Marvin or Ruth Sackner.