Cluver analyzes Ivo Vroom's "Homage to Mondrian," with respect to the painting "Victory Boogie-Woogie," including the way that typewriter poetry reproduces the features of the painting. Cluver also compares Haroldo DeCampos' type Concrete Poem "branco branco..." to Mondrian's "Composition with Red and Black" of 1936. -- Source of annotation: Marvin or Ruth Sackner.

Also contains a word key which lists and translates the words each poet uses frequently in his work. -- Source of annotation: Marvin or Ruth Sackner.

Houedard has typed two poems a week apart on the same page. He utilized a complex mathematical procedure to arrive at this performance poetry presentation, much like the workings of Oulipo. -- Source of annotation: Marvin or Ruth Sackner.

Leonora de Barros and Paula Mattioli curated the exhibion of these prints. -- Source of annotation: Marvin or Ruth Sackner.

[see pdf for full text] Kenneth Goldsmith contributes a highly perceptive essay on the visuality of concrete poetry as compared to the visual arts. … -- Source of annotation: Marvin or Ruth Sackner.

This book provides an excellent chronology of Brazilian concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Includes many reproductions of Hansjorg Mayer's publications. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a review of DeCampos book "Anticritico". -- Source of annotation: Marvin or Ruth Sackner.

In an introductory essay, Mary Ellen Solt traces concrete poetry historically and analyzes spcifically the work of Lax as related to Eugen Gomringer, Augusto De Campos and Ian Hamilton Finlay. Michael Basinski and Robert Bertholf provide an essay on "Zines," a generic term for a self-generated, cheaply produced (folded and stapled photocopied sheets), radically independent magazine. The exhibition included works of 167 international, concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.