Scope and Contents

This issue includes a section on Brazilian concrete poetry that includes English translations. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Alexandre Wollner did the layout for this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was designed by Decio Pignatari. Haroldo De Campos contributed a critical essay on work of Braga. The visual art in this book consists of four variations of a red square. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the same poem in red ink but pubished b&w in Williams' 'Anthology of Concrete Poetry' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A great deal of this PhD thesis is spent in arguments with David Seaman's views on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book defines 74 basic forms of poetry, summarizes their histories, and quotes excellent examples. The essay on concrete poetry states that "concrete poems use space. They use sound. Instead of simply letting the words stand for something else, the words in the poem dramatize their meaning by the way they look. They draw attention to their physical appearance, ink on the page. The poem becomes a collage of words, letters, and other symbols that may or may not have something to do with the meaning we usually assign to them. [Concrete poets] see poetry as a visual of graphic art. They see it as something that can be abstract and that must be looked at in order to be understood. In trying to enhance the meaning of the poem, as well as to free the poem from what these poets see as its linguistic or verbal limitations, they have made typeface, symbol, shape, and the spatial relationships between letters, words and lines fundamental elements." -- Source of annotation: Marvin or Ruth...

Scope and Contents

Julio Plaza curated this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was drawn from Brazilian, Russian and German Poets. -- Source of annotation: Marvin or Ruth Sackner.