The Sackner Archive holds a large number of Raymond Federman's books. -- Source of annotation: Marvin or Ruth Sackner.

A dialogue is presented in lowercase letters with the lines of type zig-zagging down the page in three vertical sections. This poster was presented as a Supplement to the Sixth Assembling. -- Source of annotation: Marvin or Ruth Sackner.

A dialogue is presented in lowercase letters with the lines of type zig-zagging down the page in three vertical sections. This poster was presented as a Supplement to the Sixth Assembling. -- Source of annotation: Marvin or Ruth Sackner.

Includes a clipping of a review that appeared in the Sunday New York Times Book Review. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a portrait drawing of Raymond Federman who wrote the texts for the book. This exhibition was seen by the Sackners in an alternative space in Luzerne, Switzerland. -- Source of annotation: Marvin or Ruth Sackner.

This is an excerpt from the Federman book "Moinous & Sucette - A Love Story of Sorts." It was published in conjunction with the Poetry/Rare Book Collection of the University Libraries, State University of New York at Buffalo on the occasion of the first public reading on November 16, 1982. -- Source of annotation: Marvin or Ruth Sackner.

The titles of these lectures include "The last Stand of Literature," The Real Begins When the Spectacle Ends," "Federman on Federman: Lie Or Die," and "the Supreme Indecision of Postmodernism." The clarity of the essays and the analysis of how Federman sees himself in relation to the political and cultural world reinforces his importance and influence in 20th century literature and thought. -- Source of annotation: Marvin or Ruth Sackner.

More than 80 riffs, rants, and mini-fictions by two old BUMS, er, that is, masters - perfectly complemented by the avant-comic artistry of T. Motley!' -- Source of annotation: Marvin or Ruth Sackner.

The main text is printed in English and then on the flip side of the book, in French. It seems to be a memoir of Federman's experience in anti-Semitic France before WWII. The center portion of the book is a text by Maurice Roche "Echos," which is written in run-on French with each page reprinted in mirror image on the verso side. The text is unpunctuated. -- Source of annotation: Marvin or Ruth Sackner.

The main text is printed in English and then on the flip side of the book, in French. It seems to be a memoir of Federman's experience in anti-Semitic France before WWII. The center portion of the book is a text by Maurice Roche "Echos," which is written in run-on French with each page reprinted in mirror image on the verso side. The text is unpunctuated. -- Source of annotation: Marvin or Ruth Sackner.

The drawing by Hubaut of a screaming face is super-imposed on the front page of a pamphlet of a program for an international festival sound poetry entitled, "Words & Voices." The drawing was added to this addition of the program. -- Source of annotation: Marvin or Ruth Sackner.