This was the second competitive exhibition for painting and drawing for showing the works by Portuguese artists sponsored by EDP- Electricidade de Portugal. -- Source of annotation: Marvin or Ruth Sackner.

A more definitive catalogue of this exhibition is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The shape of the poem/drawing resembles plant-like forms. The text seems to be a series of questions. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of 7 groups of hand drawn lines, each containing 3 to 6 small wave-like interruptions. -- Source of annotation: Marvin or Ruth Sackner.

Hatherly's drawing "A Imagem da Mulher Invadida Pelo Tempo: Homenagem a Henry Moore," that is held by the Sackner Archive is depicted on page 10. The series of drawings entitled Pintura sobre Cartao are reminiscent of Brice Marden's images in his recent paintings. -- Source of annotation: Marvin or Ruth Sackner.

Hatherly's drawing "A Imagem da Mulher Invadida Pelo Tempo: Homenagem a Henry Moore," that is held by the Sackner Archive is depicted on page 10. The series of drawings entitled Pintura sobre Cartao are reminiscent of Brice Marden's images in his recent paintings. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of four stems with micrographic writing, leaf-like micrographic writing, and a background of calligraphic text. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of 28 hand drawn lines, each containing 5 to 8 small wave-like interruptions. -- Source of annotation: Marvin or Ruth Sackner.

The cover image is a drawing by Hatherly in 1964. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was a very large, diversified survey of contemporary concrete and visual poetry. The catalogue includes several critical essays written in Portuguese along with English translations. It features essays on the poetry scene in Latin America and other countries. The pamphlet is a program of events held in conjunction with the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is part of a series entitled "neografitti" that are depicted in the exhibition catalogue, EDP.ARTE, a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Chiara Diamantini. The first section, Fe/Mail Art, consists of works done solely by women artists. The second section, Dedicato Donna, consists of works made by both male and female artists whose images all contain women either in a realistic, abstract or concrete poetic mode. -- Source of annotation: Marvin or Ruth Sackner.

It is mentioned that Hatherly's work is held by the Sackner Archive (cited as Ruth and Marvin Archive). -- Source of annotation: Marvin or Ruth Sackner.

This manuscript was in the archive of Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

A table of chronology of Portuguese concrete poetry included in this book indicates that it began in 1962 with publication of de Melo e Castro's book, "Ideogramas." The book reprints texts and correspondence from the early days of concrete poetry in Portugal. -- Source of annotation: Marvin or Ruth Sackner.