Scope and Contents

Ignacio Gomez de Liano contributes an essay "La nueva poesia y los problemas de la Estetica contemporanea." Maria Aurora Marques writes about "Poesia Experimental en Espana" and Maria Lluisa Borras describes "La Poesia Visual en Cataluna." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The tirage was not provided but probably ranged between 1500 and 2000 copies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The tirage was not provided but probably ranged between 1500 and 2000 copies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover of this catalogue was designed by Franco Verdi. This exhibition depicts a representative, international selection of concrete and visual poems that can be considered "classics" of the 20th century. This anthology of visual poems includes essays by Carlo Belloli, Kitasono Katue, Emilio Isgro, Franz Mon, Martino & Anno Oberto, Adriano Spatola, and Franco Verdi. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is photographically reproduced in Hirsal & Grogerova's "Experimentalni Poezie," page 221, in Novisimo Poesia/69, and in Schritte No.8 1964. In the latter, the image is oriented at a 180 degrees difference from the original. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is one of the most sumptious exhibition catalogues held by the Sackner Archive. It includes Claus' visual works and his critical essays as well as homages by poets and artists. The exhibtion included works by artists with images related to Clsus' ouvre. Original works in this exhibition as multiples or in the same style as Claus included John Cage's Not Wanting To Say Anything About Marcel (pages 356-357), Emmett Williams rubberstampings (page 364), Oyvind Fahlstrom's silkscreen prints (pages 368-369), Hansjorg Mayer's print portfolios' Konkrete Poesie International & Concrete Poetry, Britain, Canada, United State (pages 390-391), Hirsal and Grogerova's Ctyri Basne (pages 394-395), Eugen Gomringer's konkrete poesie periodicals (page 396) & Constellations (page 397), Heinz Gappmayr's minimalist concrete poems(pages 398-399), Finlay's Telegrams from my Windwill (page 400), Ilse & Pierre Grnier's Othon III - Jeanne D'Arc (pages 408-411), Ruth Wolf-Rehfeldt and Robert...

Scope and Contents

This exhibition was curated by Tobi Maier at Ludlow 38 Curatorial Residencies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The introduction was written by Rigby Graham. This book is stored with Jos C. Brilliantes book, "Sonnets in Concrete volume one." Bridgewater in other publications also spelled his name as Bridgwater. -- Source of annotation: Marvin or Ruth Sackner.

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It is mentioned that the works of Sdun are in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This English translation of the German catalogue, "Shrift, Zeichen, Geste. im Kontext von Klee bis Polloc k" (2005) that is also held by the Sackner Archive is abridged from the German copy through removal of the images and text of other artists/poets who knew him. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue depicts copious illustratIons of his works througout his lifetime. It is mentioned that Kriwet wrote his first book, "Rotor," in 1961 as a continuous text without capital letters, stops and commas at age 19 years. This book is analyed on pages 53-55 by Christoph Benjamin Schulz. A 1981 solo exhibition was the last one for 23 years until 2004 when rgw BQ gallery in Cologne showed old and recent works. And until 2011 when the Kunsthalle Dusseldorf held this retrospective. Pages 57-103 depict examples of Kriwet's typewritten poetry beginning at age 14 years with convention poetry and progresssing to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.