Note that Galician is spoken by some three million people, including most of the population of Galicia and the numerous Galician communities established elsewhere, in Spain (Madrid, Barcelona, Biscay), in other European cities (Andorra la Vella, Geneva, London, Paris), and in the Americas (New York, New Jersey, Buenos Aires, Montevideo, Havana, Caracas, Mexico City, São Paulo, Managua, Guadalajara, Veracruz City, Panama City). -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.

This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.

Lost and Found Times was founded by John M. Bennett and Doug Landies in 1975 and currently continues with Bennett as editor. This anthology contains a selection of text and graphics from isssues 1 to 39. -- Source of annotation: Marvin or Ruth Sackner.

Mentions that Dogfish is a Seattle based correspondence artist named Robert Rudine. -- Source of annotation: Marvin or Ruth Sackner.

This art work is based on a letter Marvin Sackner sent to Nikanova with a copy of "The Beauty in Breathing" catalogue. The artist retyped fragments of the text of the letter and integrated them with colored rectangles of various dimensions. The same letters in different words are connected with freely drawn colored, lines ending in arrows. Nikonova calls this work, "architectural treatment," perhaps relating to the notion of Kamensky's ferro-concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

This work has been taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

This work was included in pete spence's archive. This poem deals with the political situation in Russia. -- Source of annotation: Marvin or Ruth Sackner.

Pages from this book are reproduced in the exhibition catalogue held by the Sackner Archive, "Die Verwandlung" (2013). -- Source of annotation: Marvin or Ruth Sackner.

Mention is made that Transponans, several issues of which are held by the Sackner Archive, ran from 1979-1986 with 36 numbers. This later edition differs from the first edition in that color has been added to a few black and white pages. Also the cover is made with ink jet printing on glossy paper whereas the 1st edition was printed letterpress on a matted paper. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made that Transponans, several issues of which are held by the Sackner Archive, ran from 1979-1986 with 36 numbers. -- Source of annotation: Marvin or Ruth Sackner.

This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.