Scope and Contents This exhibition, curated by Kornelia Roder, provides an extensive review of Mail Art examples and exhibitions in Eastern Europe. It is well documented with respect to visuals and text. Several practitioners have contributed essays. Among them, Guy Schraenen's "Addressee Unknown" is particularly relevant to the field. He writes, "Although Mail Art was influenced by visual and concrete poetry, a language of pictures internationally understood, it was English that became the language of Mail Art right from the start. This is the reason why you speak of Mail Art rather than of Art Postal, Arte Postale, Arte Correo or Postkunst...Postal items to unknown addressees have created a circle of related minds. Such ties are the grandeur of a worldwide movement of communication. But Mail Art is only a facet of it. Mail Art used to be a fashion, and as a fashion it will again disappear. It has, however enriched the international art scene by numerous works which otherwise would have been...

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Crash aka Franco Piri Focardi. Vittore Baroni translated the introduction into English. -- Source of annotation: Marvin or Ruth Sackner.

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This work has been taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

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This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.

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Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

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The earliest work in this sampling of Segay's visual poems is dated 1973 and the latest 1997. Most pages of the soft cover book consist of black paper with stylized cut out letters that form a text which is collaged to the white pages. One collage in the book was done as a collaboration among Segay, Nikonova, and Scherstjanoi. The material is enclosed within a handmade portfolio, held together by thick black laces with gold foil at the tips. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was curated by Karl Young. This exhibition commemorates the first nuclear holocaust, August 6, 1945 and a call for banning nuclear weapons everywhere. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibition was curated by Stephen Perkins. The catalogue consists of brief comments by the editors and cover reproductions of over 300 zines. -- Source of annotation: Marvin or Ruth Sackner.

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Taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

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An inscription on the verso indicates that this drawing is from a collection, "Architextura." -- Source of annotation: Marvin or Ruth Sackner.