In this book, Diacono provides a parody of Stephan Mallarme's "Un Coup de Des." Diacono introduces the poem that he designates "a metrica n'aboolira with cartoons. He then cancells the 1914 layout with blue and orange colored rectangles to bring out its constructivistic presentation. Diacono's book predates the more famous cancelled text treatment by Marcel Broodthaers, a work also held by the Sackner Archive, that was published in 1969. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Diacono provides a parody of Stephan Mallarme's "Un Coup de Des." Diacono introduces the poem that he designates "a metrica n'aboolira with cartoons. He then cancells the 1914 layout with blue and orange colored rectangles to bring out its constructivistic presentation. Diacono's book predates the more famous cancelled text treatment by Marcel Broodthaers, a work also held by the Sackner Archive, that was published in 1969. -- Source of annotation: Marvin or Ruth Sackner.

The poster depicts photodocumentation in the form of film strips of an undesignated exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The book reproduce fragments of newpaper clippings, one or several to a page in a chaotic layout, tht deal mainly with an attempted assassination of the Pope and the tortures of Vietnamese imposed by American military personnel during the Vietnam war. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict thick, black and green, brush stroked letters and symbols printed over or within a red, rectangular grid, background. One of the facing pages is torn owing to the stickling togerther of the ink. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict thick, black and green, brush stroked letters and symbols printed over or within a red, rectangular grid, background -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of heavy papercard stock onto which are printed a single visual or concrete poem. The pages consist of heavy papercard stock onto which are printed a single visual or concrete poem. The book deals with photographs of objects and collages made by Diacono that feature sexual and political themes. For example, these photographs include letraset textural dildos and collages dealing with sexual intercourse using words and neologisms. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides a partial listing of all documents dealing with Manzoni as well as books by Caruso and Villa. -- Source of annotation: Marvin or Ruth Sackner.

6 prints, written in italian, they each relate to one color: giallo, nero, rosso, bianco, blu. One of the prints is framed. -- Source of annotation: Marvin or Ruth Sackner.

Each image consists of a loose caricature of a poet or friend whose name is written on the right side of the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The drawing by Caruso depicts four tilted leaves arranged vertically over music staffs with numbers. The leaves are filled with calligraphic text. The poem by Diacono was printed letterpress. The cover was painted by Piero Varroni. -- Source of annotation: Marvin or Ruth Sackner.

The edition consists of 250 signed and numbered copies and 50 copies that are unsigned and unnumbered. Each page depicts a black and white photograph of one of Diacono's conceptual works. -- Source of annotation: Marvin or Ruth Sackner.

The edition consists of 250 signed and numbered copies and 50 copies that are unsigned and unnumbered. Each page depicts a black and white photograph of one of Diacono's conceptual works. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Edizioni di arte contemporanea catalogo n.4. -- Source of annotation: Marvin or Ruth Sackner.