This book is a masterpiece of rubberstamp printing. Its theme is a rendition in the criminal's version of his apprehension by the Justice System in Toronto as interpreted by curry in a concrete/visual poetic style. The design is a masterpiece of the rubberstamping genre.The texts provide an improvised "discontinuous transcription" of statements made by an out-of-control Canadian felon after his arrest by the Toronto Metro Police August 18, 1988, as recorded by a reporter from the sensationalist SUN newspaper. Joe Poland's statements after his arrest provide some bizarre entertainment: a cross between "found poetry" and a "cutup". -- Source of annotation: Marvin or Ruth Sackner.

This book is a masterpiece of rubberstamp printing. Its theme is a rendition in the criminal's version of his apprehension by the Justice System in Toronto as interpreted by curry in a concrete/visual poetic style. The design is a masterpiece of the rubberstamping genre.The texts provide an improvised "discontinuous transcription" of statements made by an out-of-control Canadian felon after his arrest by the Toronto Metro Police August 18, 1988, as recorded by a reporter from the sensationalist SUN newspaper. Joe Poland's statements after his arrest provide some bizarre entertainment: a cross between "found poetry" and a "cutup". -- Source of annotation: Marvin or Ruth Sackner.

Poem consists of permutations of a grid of the phrase, align a line," along with an illustration. Also designated the wrecking ballzark #43. -- Source of annotation: Marvin or Ruth Sackner.

The poem reads as a column, 1978 1979 1980 1981 198| with the latter a an inscrible rather than 1982. The poem is also designated th wrecking ballzark #15 and pomez a penny #31. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #30. -- Source of annotation: Marvin or Ruth Sackner.

Ths two words used in this poem are MUTATE AND MUTATION. The work is also designated th wrecking ballzark #12 and pomez a penny #26. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #55. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #131 and th wrecking ballzark #59, both of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Also designated card #30. Photograph by jw curry. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #184. -- Source of annotation: Marvin or Ruth Sackner.

This is a checklist of publications in this series. Also designated pomez a penny #33 and Systems Retrieval 2. -- Source of annotation: Marvin or Ruth Sackner.

Also designated card #37 and th wrecking ballzark #61. The two copies of this card are printed on slightly different colored paper stock. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #51. -- Source of annotation: Marvin or Ruth Sackner.

Also designated card #75 and Slowmo #1. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one-cent (pomez a penny) #74. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent (pomez a penny) #74. -- Source of annotation: Marvin or Ruth Sackner.

This is the 2nd edition of the poem first published as Curvd H&Z #23. Also designated th wrecking ballzark #13 and pomez a penny #29. The poem consists of the fragmentation of the word "incest." -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #7 and pomez a penny #14. Poem consists of the fragmentation of the word "incest." -- Source of annotation: Marvin or Ruth Sackner.

The print is based upon a photograph by Mark Laba. -- Source of annotation: Marvin or Ruth Sackner.