This is a sketch of Peggy lefler's frontpiece for George Swede's Bifids. -- Source of annotation: Marvin or Ruth Sackner.

This is the original drawing that later appeared in can't afford no Kodak Instamatik Instamatik Vol.1. The poem, like a plastic clown, was published in Industrial Sabotage No.3. -- Source of annotation: Marvin or Ruth Sackner.

This version has a different calligraphic style than the first and third versions and was not used for the printed version in can't afford no Kodak Instamatik Instamatik Vol.1. -- Source of annotation: Marvin or Ruth Sackner.

This is the version used for the printed one in can't afford no Kodak Instamatik Instamatik Vol.1. curry's signature in lower right corner was whited out. -- Source of annotation: Marvin or Ruth Sackner.

This proposal outlines plans for a documentary film on the life and work of bp Nichol, the Canadian poet and publisher who died at the age of 44 years. -- Source of annotation: Marvin or Ruth Sackner.

The sheet consists of four stamps that depict Nichol's face and the dates of his birth and death. -- Source of annotation: Marvin or Ruth Sackner.

Scene from curry's Hobo trip on Canadian Pacific Railroad. -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a cancelled 'P" of a railway sign and an added stencilled 'B' above it as a homage to bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by curry alone. Looking more closely, I recognized several poems by curry which had appeared in previous publications. curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

Some of the pages/collages were previouslly published and curry indicates them on the verso. -- Source of annotation: Marvin or Ruth Sackner.

On the verso of most pages, curry has written the first publication of these works. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by Curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by Curry alone. Looking more closely, I recognized several poems by Curry which had appeared in previous publications. Curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

Includes group photograph of artists assembled for the 11th International Festival of Sound Poetry in Toronto, 1978. The record is selections of Canadian sound poetry. -- Source of annotation: Marvin or Ruth Sackner.