The cover reproduces an Ad Reinhart drawing entitled, "FoundingFathersFollyDay." -- Source of annotation: Marvin or Ruth Sackner.

Illustrated or listed in the catalog and held by the Sackner Archive are "Picadilly Square" by Roth, "News Mews, Pews" by Ruscha, "Book" by Samaras, "Girl on a Chair" by Segal, "General Dynamic F.U.N." by Paolozzi and "Andy Warhol's Index Book." -- Source of annotation: Marvin or Ruth Sackner.

In a note attached to the review, van der Wateren writes, "Some jaundiced journalists will never get it right. This one simply did not wish to understand what book art is about. What a pity." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for an exhibition at the Gagosian Gallery and contained one word paintings in varying styles to simulate various materials. Ruscha wrote in the catalogue, "Words have temperatures to me. When they reach a certain point and become hot words, then they appeal to me. 'Synthetic' is a very hot word. Sometimes I have a dream that if a word gets too hot and too appealing, it will boil apart, and I won't be able to read or think of it. Usually I catch them before they get too hot." The word-paintings include among others, "Ripe, Oily, Jelly, City, Mint, Steel and Pool." An interview with Walter Hopps is included. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a color photograph of the letter 'S'. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue has the appearance of an Assembling magazine. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was written by Jeremy Sanders. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was divided into five parts, Words from the Environment, Words as Sign and Structure, Words as Juxtaposition and Association, Words as Narrative, and Words as Socio-Political Commentary. -- Source of annotation: Marvin or Ruth Sackner.

Bowman reviews contemporary use of words in conjunction with visual art. -- Source of annotation: Marvin or Ruth Sackner.