Scope and Contents

This catalogue depicts the highest quality images and the most in depth coverage of word-image art. Many of the multiple pieces depicted in this catalogue are held by the Sackner Archive. The 1986 Sackner Archive catalogue is listed in "Testi critici e repertori." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book provides examples of Sarenco's 1) concrete poems (1963-1968), 2) public poems (1968-1971), 3) poem objects (1968), 4) environmenal poems (1968-1971), 5) body poems (1968-1971), 6) black & white concrete poems (1969), 7) Baroque alphabet poems (1969-1979), 8) worded photographs (1969-1970), 9) picture poems (1971), and 10) experimental music scores (1971). The folded sheet is an announcement from the director's office of the Stedelijk Museum in Amsterdam concerning an exhibition of Sarenco's work who will also curate an exhibition of 20 international poets for the museum from February 1972 to June 1973. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This catalogue features 53 essays on international aspects of visual poetry and individual poets. There are several poets cited in the essays whose works are not depicted in the exhibition. The essays deal with such topics as Mantova and visual poetry, political poetry dealing with war, visual poetry objects, futurism and Zaum, musical aspects of visual poetry, the periodical Lotto Poetica, Neoism, Oyvind Fahlstrom, constellations, Emilio Villa, Mario Diacono, Marcel Duchamp, calligraphic aspects of visual poetry, Quebec visual poetry, Carlo Belloli, Portuguese visual poetry, poema processo, Yugoslavian visual poetry, Carlfriedrich Claus, analysis of Brazilian concrete poetry, South American visual poetry, Gruppo 70, Joan Brossa, concrete and visual poetry in Japan, concrete poetry in England, Ezra Pound, e.e. cummings, Lettrisme, visual poetry in Spain, Francesco Conz, and collections of Paolo Berardelli, Francesco Conz, Adriano Parise, and Giuseppe Verzeletti. All of these essays...

Scope and Contents

This catalogue consists of colored photographic reproductions of works on paper, one or at the most two to a page. The covers of the two volumes have identical images but Volume 1 is rendered in black and white while Volume 2 is printed in color. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book contains several essays on definitions and aspects of poesia visiva and visual poetry by its contributors. A photographic reproduction of Miccini's collage, 'Viaggio tra le nuvole' (1967), a work held by the Sackner Archive is depicted on page 148 of this exhibition catalogue and the image is depictedaccompanying this record. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The original poem by Gerz depicted in this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Envelope is addressed to Peter Finch. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Sarenco wrote the introductory essay and a facsimile of his handwritten inscription is reproduced on the first page. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The introductory essay was written by Rossana Apicella. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Eugenio Miccini. -- Source of annotation: Marvin or Ruth Sackner.