Contains reproductions from the Artist Book "Libro Dei Contrari" by Enzo Miglietta. This book is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The pilaster is an architectural element in classical architecture used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. Two photographs by Miglietta are held by the Sacker Archive. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is divided into a grid as a template for printing the pages of an artist book. The latter in an edition of 20 copies is also held by the Sackner Archive. The images consist of red and blue stick figures and mechanical gears, all constructed using a calligraphic, micrographic text. -- Source of annotation: Marvin or Ruth Sackner.

The original drawing for this book is held by the Sackner Archive. The images consist of black, red and blue stick figures on one side and mechanical gears with pulleys on the other. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue mentions that the Sackner Archive holds Miglietta's works. -- Source of annotation: Marvin or Ruth Sackner.

This drawing of five images with surrealistic creature-like shapes composed with white ink on black paper was done in the style reminescent of Judith Copithorne's calligraphy of the late 60's. -- Source of annotation: Marvin or Ruth Sackner.

The book is written on a 1992 calendar and was first published in 1991. -- Source of annotation: Marvin or Ruth Sackner.

The poem is formed with silhouettes of human figures in various poses. -- Source of annotation: Marvin or Ruth Sackner.

Presented as laureate thesis. -- Source of annotation: Marvin or Ruth Sackner.

This book is his laureate thesis. This second volume consists of a large number of photocopied illustrations to complement Volume I. The first section features international concrete poems, the second section Italian concrete poems, the third section predominantly Italian poesia visiva and the fourth section calligraphic visual poems. Miglietta folows these illustrations with analysid and critical comments on these poems.This thesis concludes with a listing of the birthdates of the poets and a bibliography. -- Source of annotation: Marvin or Ruth Sackner.

This drawing made with printed letterform tautologic text achieves an optical image quality through differences in spacing of the letters. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic drawing on translucent paper depicts three gear-like forms connected with pulleys. -- Source of annotation: Marvin or Ruth Sackner.

This is mostly signed reproductions of a suite of prints first done in 1978 that consisted of different images with the same micrographic backgriound numbered one to ten and sublabeled combinations of lower case letters. The holdings are not a complete set of all the images. This suite of prints consists of 1) 3 prints solely of micrographic background, 2) #1 two prints with added text over text, 3) #2 two prints with added text over text, 4) #3 three prints with added text over text, 5) #4 four prints with added text over text, 6) #5 three prints with added text over text, 7) #6 three prints with added text over text, 8) #7 one print with added text over text, 9) #8 two prints with added text over text, 10) #9 two prints with added text over text, and 11) #10 two prints with added text over text, -- Source of annotation: Marvin or Ruth Sackner.