The letter consists of an English translation of the introductory essay of the book that provides a self-analysis of Miglietta's philosophy underlying his "motor poetry." -- Source of annotation: Marvin or Ruth Sackner.

The title is repeated with a micrographic style throughout the drawing to form an optical image of circles from intersecting clusters of straight lines. -- Source of annotation: Marvin or Ruth Sackner.

The image drawn with green and black ink on gray paper is constructivistic in content. -- Source of annotation: Marvin or Ruth Sackner.

Miglietta has composed the text with printed and written letterforms; the size of the letterforms is been rendered conventionally and in a micrographic style. In addition, he utilized abstract symbols. -- Source of annotation: Marvin or Ruth Sackner.

The theme of these drawings is Miglietta's artistic conception of a progression of fractal spaces that has been executed in his typical micrographic style using red and blue inks. The drawings were matted and shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This work is divided into a 4 x 8 grid on both sides presumably to be cut into pages for an artist book -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts 31 triangular interlocking zones, set at different angles, of varied colored calligraphic and micrographic written letterformed text. Miglietta has also used different spacings between the lines of text and alternating colors for visual effects. -- Source of annotation: Marvin or Ruth Sackner.

The image on the top half of this drawing on gray paper is an intersecting circular grid formed with white written letterforms. The lower half of the drawing depicts a square shaped intersecting grid formed with black written letterforms. -- Source of annotation: Marvin or Ruth Sackner.