This project is an abbreviated Doric temple with an inscription, "Aeterna Templa Caeli," the everlasting temple in the sky (cited by Varro in his De Lingua Latina). -- Source of annotation: Marvin or Ruth Sackner.

Provides Finlay's descriptions of architectural elements, e.g., column is a consonancy of drums and flutes, volute is a form subsisting in the tree-bark, etc. -- Source of annotation: Marvin or Ruth Sackner.

Image on card is taken from Jacques Blanchard's classical painting, "Paris and Oenone" that shows the two lovers seated next to a tree with a written caption on the trunk. The caption reads, " Five oval plaques inscribed with the names of classical lovers, and five rectangular plaques naming particular species of trees, were exhibited in the 'English Garden' in the summer of 1984." -- Source of annotation: Marvin or Ruth Sackner.

This is the plan for a new neo-classical temple at Finlay's Little Sparta. The image in the photograph is a photomontaged building to be erected against the landscape of Finlay's garden. -- Source of annotation: Marvin or Ruth Sackner.

Dust jacket was designed by Mark Stewart. -- Source of annotation: Marvin or Ruth Sackner.

Temple, according to Finlay's definition, signifies a sacred place or a place menaced by bailiffs. The accompanying image is taken after Claude Lorrain's "Landscape with Apollo." The poem refers to the buiding housing Finlay's artworks, "Temple" and seizure of these works by bailiffs because of a local tax dispute. -- Source of annotation: Marvin or Ruth Sackner.

Temple denotes the exhibition space at Finlay's residence. The caption under an image of a Greek temple includes a definition, a quote from The Metamorphosis of Ovid, and the storming of Finlay's Temple by the Strathclyde region tax collectors who launched a surprise attack on Budget day, March 15, and successfully looted the garden TEMPLE. The definition is "a marbled edifice, a veined edifice; the seat or summit of reason." -- Source of annotation: Marvin or Ruth Sackner.

Commemorates Joseph Bara, the little drummer boy who was shot by Royalists for shouting "long live the revolution" instead of "long live the king" during the French revolution. The image is a post-modern temple or bandstand in which the columns are composed of interrupted side drums in relief. -- Source of annotation: Marvin or Ruth Sackner.

In this poem contrasts the styles of two architects, Voysey and Lutyens. -- Source of annotation: Marvin or Ruth Sackner.

The word 'stile' in the caption refers to a framing panel design for furniture. Voysey was an architect whose work Finlay disliked. -- Source of annotation: Marvin or Ruth Sackner.