Weiss, Irving, 1921-2021
Dates
- Existence: 1921 - 2021 June 21
Nationality
American
Found in 117 Collections and/or Records:
Visual Voices; Original and Translation; pages 138-139 / Weiss, Irving., 1994
This poem is based upon Francesco Berni (1497?-1535), "Passeri e Beccafichi," translated by Lorna de' Lucchi. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Original Coursing through Translation: Aerial View; pages 88--89 / Weiss, Irving., 1994
This poem is based upon Byron, translation of Dante, Inferno V, 11. 93-142. Published in Atticus Review 4, Winter 1983. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Page Poem; pages 116--117 / Weiss, Irving., 1994
This poem is based upon Anonymous both, that part of " Now sprinkles the spray," followed by that part of " Spring Song" that appear on one anthology page together. A Page Poem is whatever verses appear on a single page even if they belong to more than one poem. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: Poem As Mental Convergence toward Its Two Finest Lines; pages 62-63 / Weiss, Irving., 1994
This poem is based upon William Alabaster (1567-1640), "Upon the Crucifix." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Eyeless, Toothless, Headless; pages 118--119 / Weiss, Irving; Blake W., 1994
This poem is based upon Blake, " Mock on, mock on, Voltaire, Rousseau" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Floating through One's Dream, Blurred in Three Places pages 14-15 / Weiss, Irving., 1994
This poem is based upon John Donne's (1573-1631), "Death Be Not Proud." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in Extremis: Trying to Escape Itself; pages 42-43 / Weiss, Irving., 1994
This poem is based upon Abraham Cowley (1618-1667), "Sport." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in the Making and Unmaking pages 6-7 / Weiss, Irving., 1994
This poem is based upon Geirge Herbert's (1593-1633) poem, "The Quiddity." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Making Ten Nifty Points; pages 126--127 / Weiss, Irving., 1994
This poem is based upon John Greenleaf Whittier (1807-1892), from Prelude to "Among the Hills." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem of the Reader's Laser-Beam Mind Fusing an Epic into Its Initial and Concluding Lines; pages 86--87 / Weiss, Irving., 1994
This poem is based upon Michael Drayton (1563-1631). The first two and the last two lines of Poly-Olbion, Or a Chorographical Description of Tracts, Rivers, Mountains, Forest and other Parts of this Renowned Isle of Great Britain, with Intermixtureof the Most Remarkable Stories, Antiquities, Wonders, Rarities, Pleasures, and Commodities of the Same. " -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem of the Seven Journeys through the Magnetic Zone Between the Title and the Poem; pages 76-77 / Weiss, Irving., 1994
This poem is based upon James Russell Lowell, "Auspex" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem of the Uniqueness of the of the Right Margin in Threefold Demosntrations; pages 104--105 / Weiss, Irving., 1994
This poem is based upon Madrigal by Drummond of Hawthornden (1585 - 1649). Threefold Demonstration: 1 - By the Perpendicular 2. By the Straight Line 3. By Radial Connection -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Refusing To Be Paged; pages 46-47 / Weiss, Irving., 1994
This poem is based upon the First Set of Madrigals of Orlando Gibbons (1583-1625). -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Reorganized According to a Subliminal Principle of Cohesion; pages 82-83 / Weiss, Irving., 1994
This poem is based upon Sir Walter Scott (1771-1832), from The Lay of the Last Minstrel. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Seen Sideways, in Profile; pages 68-69 / Weiss, Irving., 1994
This poem is based upon Robert Herrick (1591-1674), "Delight in Disorder." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem: Simultaneous View of As Both Crowded and Spacious; pages 112--113 / Weiss, Irving., 1994
This poem is based upon Air from Elizabethan songbook: "Every bush new springing" Every bush new springing, Every bird now singing, Merrily sat poor Nicho, Chanting troli lo loli lo, Till her he had espied On whom his hope relied, Down a down, with a frown, O she pulled him down. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Hair; pages 74-75 / Weiss, Irving., 1994
This poem is based upon Thomas Dekker (1570?-1632), from Pleasant Comedy of Patient Grissil. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Rhymes Unclasped, Falling off Their Cliffs; pages 60-61 / Weiss, Irving., 1994
This poem is based upon Henry Wadsworth Longfellow (1807-1882), "Nature." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Right Margin Pulled Tight to Dislodge Secret Message; pages 44-45 / Weiss, Irving., 1994
This poem is based upon Anonymous, 16th century. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem with Rightful Line Evicting an Impostor from Another Poem; pages 48-49 / Weiss, Irving., 1994
This poem is based upon Poem with rightful line: William Blake(1757-1827), Poem with fraudulent line: Abraham Cowley (1618-1667). -- Source of annotation: Marvin or Ruth Sackner.
Additional filters:
- Subject
- Concrete poetry 67
- Typewriter poetry 62
- Conventional poetry 30
- Critical text 7
- Picture poetry 6
- Text over text 5
- Abstract markings 4
- Correspondence art 4
- Visual poetry 4
- Cancelled text 3
- Fragmented text 3
- Aphorism 2
- Calligraphic text 2
- Mathematical poetry 2
- Asemic writing 1
- Colored text 1
- Comic strip art 1
- Computer art 1
- Conceptual text 1
- Conventional non-fiction 1
- Diagram 1
- Documentation 1
- Experimental calligraphy 1
- Game 1
- Performance poetry 1
- Religious poetry 1
- Repetitious text 1
- Sound poetry 1
- Visual art 1 + ∧ less