El Lissitzky describes his theatrical plans for "The Electrical-Mechanical Spectacle." It was published as a folio of ten colored lithographs which were used by Mayakovsky in "For Reading Out Loud." The Spectacle used the music from "Victory Over the Sun" by Krutchyck with sets by Malevich. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes information on the Brighton Festival Exhibition of Concrete Poetry that was directed by Stephen Bann. The founding of Black Mountain College is described by Lewis Shelley. "The Early Days of Concrete Poetry" are described by Eugen Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

This issue contains the second section in the series on the history of Black Mountain College. The article on sound poetry by Hausmann was translated by Stephen Bann. -- Source of annotation: Marvin or Ruth Sackner.

Contains section three of the history of Black Mountain College. -- Source of annotation: Marvin or Ruth Sackner.

John Bowlt contributes an in-depth essay titled "Russian Exhibitions, 1904 to 1922." The series on Black Mountain College is continued with "Play, Life, Illusion 1924-37," a Spectodrama by Xanti Schawinsky. An excerpt of the experimental novel, Grabinoulor, by Albert-Birot that has been translated into English by Barabara Wright is included as well as a bibliography of several small magazines. -- Source of annotation: Marvin or Ruth Sackner.

Hans Richter contributes "In Memory of Marcel Duchamp." Mark Hedden continues the series on BMC with "Notes on Theatre at Black Mountain College." The magazine Kulture, published by Lita Hornick, is indexed. -- Source of annotation: Marvin or Ruth Sackner.

dsh mentions henri chopin and mlke weaver (whom he does not know). He writes about his first meeting with charles cameron. -- Source of annotation: Marvin or Ruth Sackner.

The message has been written on the verso of a photograph b&w depicting a visual poem by Furnival done in 1964. Furnival mentions that Mike Weaver was slightly peeved by Edwin Morgan's talk which leaned heavily on his "Image" article without giving Weaver credit for it. -- Source of annotation: Marvin or Ruth Sackner.

The letter on the verso of this photograph indicates that two of Chopin's items can be discounted. Also, Furnival mentions that Mike Weaver was upset with Edwin Morgan for not giving him more credit for his "image" article in a talk that he gave. The photograph depicts a constructivist drawing by Furnival. -- Source of annotation: Marvin or Ruth Sackner.