Scope and Contents

Stored in Chopin box. Amazon.com: Since the 1960s, conceptual artists Henri Chopin (Pairs-London), Guy de Cointet (Paris-Los Angeles) and Channa Horwitz (Los Angeles) have dedicated themselves to analyzing system deducing the rules and consolidating them into visible structures. This book accompanied the parallel where drawings by these three respected artists generate new meaning as the aesthetic-visual translation of early post-structuralist thought. A Void, taken from George Perec's experimental novel, which famously did not include the letter 'e' as a nod to language epistemological constraints. Riffing on this idea, the artists' works seem clearly embroiled in such systems of meaning-making. Horwitz's on the boundary of symbol and performance, while Chopin explored the line between chaos and order. de Cointet left behind an oeuvre characterized by codes and puzzles for future generations. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Wikipedia: hanna Horwitz (nee Channa Helene Shapiro, May 21, 1932 -- April 29, 2013) was a contemporary artist based in Los Angeles, United States.[1] She is recognized for the logically-derived compositions created over her five decade career. Her visually complex, systematic works are generally structured around linear progressions using the number eight.n 1968, Horwitz (then Channa Davis) submitted a proposal to the seminal Art and Technology Program at the Los Angeles County Museum of Art. The proposed sculpture consisted of eight beams moving vertically out of sculptural bases over ten minutes of time, corresponding to a choreography of colored lights. Although the sculpture was never fabricated, Horwitz's proposal was included in the 1970 program catalogue, whose cover prominently displayed the faces of the white male artists whose works appeared in the culminating exhibition at the Museum. Art and Technology's glaring omission of women"”specifically the fact that Horwitz was...