This retospective of the books and prints was edited by Robert Rainwater. "Maximiliana" held by the Sackner Archive is described as Ernst's "highest accomplishment in printed art...adapt[ing] indirect, semi-automatic procedures originating in Surrealism of the 1920's for the realization of the book's 34 etchings and aquatints." Greet's essay, "Max Ernst and the Artist's Book." is a detailed study of collaboration of Ernst with Iliazd, based on the work of the astronomer, W. Tempel. -- Source of annotation: Marvin or Ruth Sackner.

Tuttle designed the brochure and poster accompanying the exhibition. Robert Rainwater contributed an essay on livres d'artist and prints of the artist. The duplicate copy does not have the paper ribbon. -- Source of annotation: Marvin or Ruth Sackner.