The book is a diary of Bory's trip to Japan along with 25 concrete and visual poems about his experience there. The poems are designated calligrammes by Bory. The sketches for the concrete poems in ink and graphite were subsequently printed from a computer with a laseror nk jet printed -- Source of annotation: Marvin or Ruth Sackner.

Leiber's catalogues show a consistent, innovative design. This issue with alphabetical notebook tabs sponsored by Rose Holtz, references several offerings to the Sackner Archive Catalog of 1986. -- Source of annotation: Marvin or Ruth Sackner.

There is a section of this book that consists of visual and concrete poems that are reproduced as photocopied black and white images. -- Source of annotation: Marvin or Ruth Sackner.

This is a catalogue of works being sold by an Italian collector, Mauro Corinaldi in Milan, whom the Sackners know. -- Source of annotation: Marvin or Ruth Sackner.

Each page presents a single concrete or visual poem. In the title, Bory indicates his debt to the calligrams of Apollinaire. -- Source of annotation: Marvin or Ruth Sackner.

Includes essays by Cesar Espinosa and Emily Hicks, and statements by Vincenzo Accame, Pierre Garnier and Max Bense. -- Source of annotation: Marvin or Ruth Sackner.

Takako Hasekura contributed an essay in which she defined visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

An original print of this image is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of photographs of Bory juxtaposed with collaged photographs of his parents and grandparents. -- Source of annotation: Marvin or Ruth Sackner.

This is a unique printed book with supporting artwork and text that apparently was never editioned. -- Source of annotation: Marvin or Ruth Sackner.

This book is one of the most extensive collection of word-image material with emphasis on concrete poems ever commercially published. The text is brief, e.g., a preface by Jean-Francois Bory and a postface by Isabelle Maunet-Salliet. Each image is printed one to a page. Although the emphasis is on French poets, there are images from poets all over the world. Significant omissions that are bound to occur in such a large undertaking include among others d.a. levy, Dick Higgins, Dom Silvester Houedard, Steve McCaffery, bill bissett, Edgardo-Antonio Vigo, Leon Ferrari, Mira Schendel, Ana Hatherly, Herman de Vries, Ernesto M. de Melo e Castro, Ben, Herman Damen, Enzo Miglietta, Carlfriedrich Claus, Alan Riddell, and Rachid Koriachi. -- Source of annotation: Marvin or Ruth Sackner.