Second printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.

On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition included the works of Dufrene, Aubertin, Blaine, Chopin, Dupuy, Hains, Heidsieck, Kolar, Mendonca, and Pelieu. In the section on Joel Hubaut, it is mentioned that an installation was prepared for "The Beauty in Breathing," an exhibition from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The content of this book consists of semiotic experiments with punctuation signs. The maquette for this book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The content of this book consists of semiotic experiments with punctuation signs. This maquette differs in some of the pages and its cover when compared to the trade edition. -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a detail of one of Bory's typewriter poem objects painted with gold paint. -- Source of annotation: Marvin or Ruth Sackner.

This extensive exhibition of poesia visiva was curated by Nicola Micieli. Critical essays were provided by Eugenio Miccini and Lamberto Pignotti. -- Source of annotation: Marvin or Ruth Sackner.

This book describes an exhibition and a symposium that included sound poetry, which was held in Venice in June 1972. The critic, Rossana Apicella, mentions, "Let us hope, si licet, that visual poetry will not meet with rapid success, that it will remain immediate, violent, mad and popular, erudite and authentically experimental; there is a risk, otherwise, that according to the logic of human destiny it will get up to a dangerous pedestal." -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Nicola Micieli; Eugenio Miccini and Lamberto Pignotti contributed essays. -- Source of annotation: Marvin or Ruth Sackner.

This book contains Bory's well known poem "La poesie est..." -- Source of annotation: Marvin or Ruth Sackner.

Complex number and sign schemes are printed on each page. The basis for the images was probably letraset. The format differs from the earlier Gallery Number Ten edition in which Bory's name with the caption Arithmetic Text (1, 2, 3, ...) appears at the bottom of each sheet printed in red; the latter is absent in this edition and only 10 of the 18 sheets are present. This issue was edited by Brian Lane and Trevor Wells. -- Source of annotation: Marvin or Ruth Sackner.