Burroughs, William S., 1914-1997
Dates
- Existence: 1914-1997-08-11- - 1997
Found in 13 Collections and/or Records:
Announcement for Ou, 1969
Audiopoems / Henri Chopin; WS Burroughs., 1971
Audiopoems / Henri Chopin; WS Burroughs., 1971
[Card To Richard Aaron] / Nannucci, Maurizio; Burroughs WS., 1977
The long message from Nannucci to Aaron deals with contributions to Mela and a request to publish a William Burroughs piece. The letter is written on an announcement for the recording of Poesia Sonora that Nannucci edited. -- Source of annotation: Marvin or Ruth Sackner.
Graphic, Objective and Other Poems / Chopin, Henri ; Hanson S ; Burroughs WS., 1974
Sten Hanson's essay on "Henri Chopin, the Sound Poet" traces his career and analyzes his work. -- Source of annotation: Marvin or Ruth Sackner.
Le Grand Monde de la grande poesie, 2004
In this book, Chopin provides the basis for sound poetry -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Richard Aaron (March 6, 1977)] / Gibbs, Michael; Gysin B; Carrion U; Burroughs WS; Chopin H; Dufrene F; Heidsieck B; Cobbing B; Mon F; Hanson S; Johnson BE; Nannucci M; Lora-Totino A., 1977
Gibbs asks Aaron for books and mentions his working on Kontextsound to accompany the sound poetry festival ar Amsterdam's Stedelijk Museum. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Richard Aaron (November 1, 1975)] / Gibbs, Michael; Chopin H; Burroughs WS., 1977
Gibbs mentions that he wants to publish parts of Burroughs "The Third Mind" in Kontexts and that he is translating a piece from Henri Chopin in "difficult French. -- Source of annotation: Marvin or Ruth Sackner.
No.19 / Giorno Poetry Systems ; Burroughs WS ; Giorno J ; Byrne D ; Gysin B ; Ginsberg A ; Cage J ; Anderson L., 1990
outrageous and unprovoked discourtesy and poisonous cheesecake / Upton, Lawrence ; Cobbing, Bob ; Burroughs WS., 1997
Phantasmic Radio / Weiss, Allen S. ; Artaud A ; Barthes R ; Breton A ; Burroughs WS ; Cage J ; Duchamp M ; Joyce J ; Mallarme S ; Marinetti FT ; Russolo L ; Valery P ; Eckersley R ; Ballard J., 1995
In this work of cultural criticism, Weiss explores the meaning of radio to the modern imagination by weaving together cultural and technological history. His investigation reveals how radiophony transforms expression. He presents new perspectives on the avant-garde radio experiments of Antonin Artaud and John Cage. A great deal of attention is paid to sound poetry.The book was designed by Richard Eckersley with high usage of Italic typefaces. -- Source of annotation: Marvin or Ruth Sackner.