dsh mentions henri chopin and mlke weaver (whom he does not know). He writes about his first meeting with charles cameron. -- Source of annotation: Marvin or Ruth Sackner.

Chopin requests Furnival to send graphics to ICA and to ask Houedard to send poems as well. -- Source of annotation: Marvin or Ruth Sackner.

This letter to Charles Cameron includes several names and details for poetry readings that DSH suggests are to be contacted including Bob Cobbing, John Furnival, Ernst Jandl and Aram Soroyan. -- Source of annotation: Marvin or Ruth Sackner.

The recipient of this letter is probably David Medalla.The first page contains a red typed phrase "ubi eater" created with lowercase u's and lower case r's. The meaning of 'ubi eater' is unclear. The red typed signature of silvester formed with typed dashes is on the third page. The third page is typed on a different typewriter than the first two pages. -- Source of annotation: Marvin or Ruth Sackner.

In this letter to Charles Cameron DSH writes to check up on various poetry projects and asks Cameron "WHAT ABT THIS ARTICLE ON ME IN THE OLIVETTI THING do let me know i ache to see it with it i can approach olivetti himself & get CASH which is so useful." Also, dsh noted that Konrad Bayer died this week. -- Source of annotation: Marvin or Ruth Sackner.

Gibbs asks Aaron for books and mentions his working on Kontextsound to accompany the sound poetry festival ar Amsterdam's Stedelijk Museum. -- Source of annotation: Marvin or Ruth Sackner.

Gibbs mentions that he wants to publish parts of Burroughs "The Third Mind" in Kontexts and that he is translating a piece from Henri Chopin in "difficult French. -- Source of annotation: Marvin or Ruth Sackner.

Proposes a sound poetry performance. -- Source of annotation: Marvin or Ruth Sackner.

Concerns Chopin's design for the postcard, "I Refuse." -- Source of annotation: Marvin or Ruth Sackner.

The message has been written on the verso of a photograph b&w depicting a visual poem by Furnival done in 1964. Furnival mentions that Mike Weaver was slightly peeved by Edwin Morgan's talk which leaned heavily on his "Image" article without giving Weaver credit for it. -- Source of annotation: Marvin or Ruth Sackner.

Printed by Katherine Kuehn. -- Source of annotation: Marvin or Ruth Sackner.

Printed by Katherine Kuehn. -- Source of annotation: Marvin or Ruth Sackner.

Live in Your Head re-examines the artistic legacy of the 1960s and 70s and attempts to clarify the points of origin of a formative generation in British art. It focuses on conceptual and experimental art in Britain. Each artist/poet is given a double-page spread, This catalogue also includes artists' statements and portraits, reproductions of numerous works, biographic and bibliographical information. In addition, Live in Your Head includes a lively and illustrated chronology of social and cultural events between 1965-1975, and essays by Michael Archer, Rosetta Brooks and co-curators, Andrea Tarsia and Clive Philpot. This catalogue has a yhellow cover whereas the other copy in the Sackner Archive has a blue cover. -- Source of annotation: Marvin or Ruth Sackner.