This was taken from the manuscript of the portfolio for reproduction by Thames & Hudson -- Source of annotation: Marvin or Ruth Sackner.

This card is depictd in Furnival's "Lost for Words" (2011) page 14 and was first published in 'Revue Ou' in 1964. -- Source of annotation: Marvin or Ruth Sackner.

This periodical was published in two issues. The Sackner Archive holds only issue No.2. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of collages and assemblages (pp 72, 166, 167, 180, 199) held by the Sackner Archive. A varient of a collage which is reproduced on p 261 is also held by the Archive. -- Source of annotation: Marvin or Ruth Sackner.

This collage depicts a prototypical concrete-visual poem. -- Source of annotation: Marvin or Ruth Sackner.

The book begins with a timeline of the history of sound poetry tracing the literature, instruments, playing and treatises. It contains a descriptive analysis of the works of the major European sound poets with minimal attention to the works of non-European poets. -- Source of annotation: Marvin or Ruth Sackner.

The book begins with a timeline of the history of sound poetry tracing the literature, instruments, playing and treatises. It contains a descriptive analysis of the works of the major European sound poets with minimal attention to the works of non-Europeans. -- Source of annotation: Marvin or Ruth Sackner.

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the card depicts Emmett Williams' poem "SolDIEer." -- Source of annotation: Marvin or Ruth Sackner.

The book consists of chapters written on the field of Sound Poetry; these include essays and interviews. There are only two typewriter art pieces in this book, both by Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Wikipedia: Poi refers to both a style of performing art and the equipment used for engaging in poi performance. Poi originated from the Māori people of New Zealand as a performance art that involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects (such as fire). Poi originated with the Māori people of New Zealand, where it is still practiced today. Poi has also gained a following in many other countries. The expansion of poi culture has led to a significant evolution of the styles practiced, the tools used, and the definition of the word "poi." Poi is not a French word. -- Source of annotation: Marvin or Ruth Sackner.