The print by Chopin, entitled "Rockets" is numbered 1/XXX and is flat in contrast to the folded print in the limited edition portfolio. Similarly, the drawing with handwritten text by Heidsieck is part of the maquette along with an unfolded print. This drawing is a chronologic accounting of the relationship between Heidsieck (BH) and Chopin (HC) from extracts of letters. The latter is listed in the database as a separate entry but is stored in the Chopin drawer. This work includes seven original typwriter poems made by Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Also published in Collection Ou No.0. This is a spoof of Chairman Mao stating that he wants to invent a woman with 100,000 vaginas as depicted in the central image of this print. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition with reproductions from the original photographs and postage stamp of the first edition published in 1976 (25 copies). The images on the stamps include William Burroughs, Brion Gysin, Francoise Janicot, Henri Chopin and Rodney Grey. Each artist stamp or stamps is affixed to a papercard sheet. -- Source of annotation: Marvin or Ruth Sackner.

The photographs depict postal stamps altered with images of mostly William Burroughs. Other writers and politicians also appear. The stamp collage by Cozette de Charmoy depicts William Burroughs. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition and catalogue were organized as a memorial to Dufrene who died in 1982. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic text is the maquette for the folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic text was included as a folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. The maquette drawing for this print is also held by the Sackner Archive. The prints are stored in the Heidsieck drawer. -- Source of annotation: Marvin or Ruth Sackner.

This is a retraction for a claim made by the exhibitors about Chopin's work in the show, Concrete Poetry Exhibition, St Pancras Library, July 1972. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Dianne Fogwell. -- Source of annotation: Marvin or Ruth Sackner.

This work was commissioned for "The Beauty In Breathing" exhibition. The typed phrases repetitively utilized by Chopin in linear and Moire arrangements, reading from top to bottom include No Smoking, Breath Of Life, Poisonous Danger, Poison, and Yes. The impossibility of constructing a building with sound engineering principles designed in this image may reflect Chopin's frustrations with the smoking public. -- Source of annotation: Marvin or Ruth Sackner.

This photocollage was used for OU 23/24, 1965. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue doocuments the first major retrospective of Hausmann's work for the exhibition that was shown in the three countries in which Hausmann lived, France, Germany and Spain (Ibiza). Several scholary essays are included in the catalogue tracing his early years as a Dadaist, collages and photomontages, the photographic works, sound poetry, abstract paintings and later Dada works. Chistopher Phillips essay, "In the Chaotic Cave of the Mouth," describes Hausmann's sound poems, which are considered "among the most difficult and perplexing" of this "recondite genre." -- Source of annotation: Marvin or Ruth Sackner.

The artist's works consist of sculptural avant garde bookbindings mostly of other artists' and writers' books. The Sackner Archive holds several books by Knoderer and his collaborator, Christie Pagiras, that were purchased on a visit in June 1996 to Knoderer's studio in Montpellier, France. -- Source of annotation: Marvin or Ruth Sackner.