Drpicts symbols of the French Revolution, watering-can, altar, and teapot. -- Source of annotation: Marvin or Ruth Sackner.

The text of each poem is printed in black on colored paper stock with the color associated with it, e.g., 'Watteau's clown.' on yellow paper, 'Picasso's acrobat's.' on light blue paper, and 'The wind shadow cast by this blue sail.' on dark blue paper. -- Source of annotation: Marvin or Ruth Sackner.

The first 75 copies of this book were signed by Finlay, the second 75 were not. Includes prints of three colored sundials with an explanation for the terms utilized in the caption. -- Source of annotation: Marvin or Ruth Sackner.

A folded sheet onto which is printed a critical text by Stephen Bann accompanies this medallion. The image is a metaphor for the World War II battle of Midway in the South Pacific which was fought with airpower rather that ship to ship sightings. The text accompanying this work is stored in a box of Finlay booklets. -- Source of annotation: Marvin or Ruth Sackner.

Relates to the World War II battle of Midway. -- Source of annotation: Marvin or Ruth Sackner.

Image is an armored tank. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of four medallions produced in 1975 with Ron Costley. An accompanying folded sheet on which is printed a critical text by Stephen Bann is stored in the booklet section of Finlay. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of four medallions produced in 1975 with Ron Costley. An accompanying folded sheet on which is printed a critical text by Stephen Bann is stored in the booklet section of Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The image on the two inner pages of the card depicts a black and white print of ithe nner hull of a sailboat in a body of water. -- Source of annotation: Marvin or Ruth Sackner.

Christmas card that refers to the Finlay's turmoil with the Strathclyde region tax authorities. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a silhouette of an aircraft carrier as a topiary object. -- Source of annotation: Marvin or Ruth Sackner.

Book Depository WEB 2014: "This is an extensive primer to modern poetics, focusing especially on the Concrete poets. The problem is not only to transform poetry into something new compared to poetic tradition, but above all that through this transformation poetry becomes a total art. New experimental poetry is no longer exclusively interpretable as a force modifying the usual instruments of poetic creation, or as the necessity of overcoming national linguistic barriers to an explicitly international poetry. Today it seeks to become a total medium, to escape all limitations to include theater, photography, music, painting, typography, cinematographic techniques, and every other aspect of culture, in a utopian ambition to return to origins - from the back." -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a drawing of a model airplane along with a brief caption relating to a poet, artist or writer. The maquette for this work done in 1975 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The text was written by Prudence Carlson. -- Source of annotation: Marvin or Ruth Sackner.

Each participating artist was invited to make a proposal for a work in public space and a work for a portfolio. These artists all use text and language for their works. An introductory essay by Tjeu Teeuwen traces the relationship between text and image from early religious works through the influences of Mallarme, cubist collages, calligrams, futurism, dada, constructivism, De Stijl, concrete poetry, fluxus and conceptual art. Essays are also included on art in public places and nomadic art. -- Source of annotation: Marvin or Ruth Sackner.

The sculpture placed vertically in the garden has the structure of a pole into which is affixed a horizontal windmill-like shape. The words, "trawl net" are inscribed on one of the arms possibly because the arm catches the wind as the net catches fish. -- Source of annotation: Marvin or Ruth Sackner.

The image of this print in brown and white by Hincks was made after a painting by Ben Nicholson, "Two Mugs." -- Source of annotation: Marvin or Ruth Sackner.