Includes several statements concerning visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of 18 poems, typeset one each to a pamphlet which consists of a folded sheet of heavy paper with the title on the cover and the poem on its inner page. The poems are minimal with the title often being longer than tthe poem. The poems were selected from the Bloknoot edition of the photocopied poems of the typewritten originals. -- Source of annotation: Marvin or Ruth Sackner.

The imafe depicts a hand drawn stright line with about a 10% gap in its right side and the title words toward the b ottom of the print. -- Source of annotation: Marvin or Ruth Sackner.

The two prints by Carlfriedrich Claus included in this portfolio are depicted and described on page 60 of Claus' "Das druckgraphische Werk." Claus also provided an introductory essay. The Werkman piece is a reproduction from an Issue of "Next Call" and the folded print reproduces the text and illustrations for "Explodity." The original of the latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Drawings are mainly calligraphic in content. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. Water damage is present on the top of the poster but the image is intact. -- Source of annotation: Marvin or Ruth Sackner.

This book which was first published in 1972 consists of a panel discussion on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Book was dedicated to Seiichi Niikuni, the foremost Japanese concrete poet. It consists of classic, minimalistic, concrete poems -- Source of annotation: Marvin or Ruth Sackner.

In this second volume of poems, most are minimalistic or done with mathematic and punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.

This is an inclusive historical survey from 1963-1968 of the concrete/spatialistic poetry composed by the authors. -- Source of annotation: Marvin or Ruth Sackner.

Compliments Keith about his book, Sphinx. -- Source of annotation: Marvin or Ruth Sackner.