This is an announcement card for an art fair that was intensively altered by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

The soft cover book is a catalogue for FIAC, the French art fair, for which Haubaut designed two pages. The drawings are Hubaut's original maquettes for the pages and have been matted individually. -- Source of annotation: Marvin or Ruth Sackner.

Contains International Art Post Editions Vol.1 No.1 1988, Vol.1 No.2 1988, Vol.2 No.1 1989, Vol.2 No.2 1989, Vol.2 No.3 1989, Vol.3 No.1 1990, Vol.4 No.1. 1991, Vol.5 No.3, 1992, Vol.6 No.1 1993, Vol.7 No.1 1994, Vol.12 No.12. Also contains Artistamp News Vol.1-6 (1-8) and issue number 11. The stamp sheets are held within plastic sleeve pages. Stamp sheets have been added from 1991-1999. Anna Banana signed and numbered some of her stamp sheets. -- Source of annotation: Marvin or Ruth Sackner.

The image is that of a forrest, probably adapted from a black and white photograph, in its upper half, and typical Hubaut hieroglyphics in red and green colors in its lower half. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of 40 separate drawings based on Hubaut's home town of Bar Fleur , France and Barcelona, Spain where he completed several art projects. -- Source of annotation: Marvin or Ruth Sackner.

The elements in this collage have a white to bluish-white cast and include mannikins, toilet, Michelin advertising character, cat, and a pigeon among others. This collage constituted one of Hubaut's monochrome series of works. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition dealt with a multi-media installation about one of Hubaut's complex machines, entitled Bo-U. -- Source of annotation: Marvin or Ruth Sackner.

The catalog documents a multimedia installation that features Hubaut's rabbit and impossible machine themes. -- Source of annotation: Marvin or Ruth Sackner.

The contents of the box mention, describe, or relate to exhibits or art pieces from Hubaut. The majority of the objects in the bottom sections appear to contribute to "La Construction due chateau en espagne."

The mat frames out the rest of the larger photographic image (1994) of an assemblage of Hubaut's objects to provide the final image for the calling card, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a bomb with names of real and imagined soldiers surrounding it. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition was inspired by the 100th anniversary of Mallarme's Un coup de des jamais n'abolira le hasard. Combining music and poetry and preceding the Dadists and Futurists, Mallarme constituted a line that passed to Apollinaire, Michaux, Klee, Max Ernst and Fluxus. This catalogue demonstrates the writing and artistic expression emerging in the century after Mallarme's birth. The works in this catalogue are mainly oriented to calligraphic expressions. The book has extensive illustrations of the latter that are printed in color. The Sackner Archive holds artist books similar in imagery to pages of Hubaut's book reproduced in color in this catalogue. Nanni Balestrini contributed 13 panels of an alphabetical visual poetry piece that are reproduced in color in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition was inspired by the 100th anniversary of Mallarme's Un coup de des jamais n'abolira le hasard. -- Source of annotation: Marvin or Ruth Sackner.