The drawing depicts a bomb with names of real and imagined soldiers surrounding it. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition was inspired by the 100th anniversary of Mallarme's Un coup de des jamais n'abolira le hasard. Combining music and poetry and preceding the Dadists and Futurists, Mallarme constituted a line that passed to Apollinaire, Michaux, Klee, Max Ernst and Fluxus. This catalogue demonstrates the writing and artistic expression emerging in the century after Mallarme's birth. The works in this catalogue are mainly oriented to calligraphic expressions. The book has extensive illustrations of the latter that are printed in color. The Sackner Archive holds artist books similar in imagery to pages of Hubaut's book reproduced in color in this catalogue. Nanni Balestrini contributed 13 panels of an alphabetical visual poetry piece that are reproduced in color in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition was inspired by the 100th anniversary of Mallarme's Un coup de des jamais n'abolira le hasard. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals with Hubaut's installation piece in Toulouse. The newsletter includes a reproduction of the poster, diagram of the work, biography of Hubaut and a cover portrait of Hubaut in a pink wig and glasses. It also cites other artists who made pink artworks for the Toulouse exhibitions in the past. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue presents the monochromatic art works of Hubaut who writes that he constructs his "sites" from given or borrowed objects donated by a public, often isolated from the art millieu. Further, producing visually aesthetic and seductive monochrome sites reveals the disorder in the world and the hierarchical tensions and ideological significance of the colors. Hubaut has made ideographic drawings on the inside front cover and title page of this copy. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue presents the monochromatic art works of Hubaut who writes that he constructs his "sites" from given or borrowed objects donated by a public, often isolated from the art millieu. Further, producing visually aesthetic and seductive monochrome sites reveals the disorder in the world and the hierarchical tensions and ideological significance of the colors. -- Source of annotation: Marvin or Ruth Sackner.

Every object, person, item of clothing in this installation reproduction is colored pink. Joel Hubaut himself is pictured in the center with a pink wig, wearing sunglasses and holding a pink pig. Poster versions of this print are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Every object, person, item of clothing in this installation reproduction is colored pink. Joel Hubaut himself is pictured in the center with a pink wig, wearing pink sunglasses and holding a pink pig. A print version of this poster is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

One of the collages was made as a collaboration between Hubaut and Pelieu. -- Source of annotation: Marvin or Ruth Sackner.