Photograph portrays Hubaut adjacent to wind vane. -- Source of annotation: Marvin or Ruth Sackner.

This book describes the project conceived by Hubaut in the town of Herouville Saint-Clair where objects donated by the citizens were encased in glass pavers and placed in the streets to form a line from one side of the town to the opposite side. The book also includes illustrations of the town people dressed in green and also dressed in white as part of Hubaut's "intervention." In addition, a section lists Hubaut's principle projects and installations from 1971 to 2000. -- Source of annotation: Marvin or Ruth Sackner.

This is a preparatory drawing for a work commissioned for "The Beauty in Breathing" exhibition. It depicts an acoustic sculpture dealing with smoking and breathing. -- Source of annotation: Marvin or Ruth Sackner.

The first preparatory drawing for this work dealing with smoking and breathing utilized a red formica accordion as its main element. In the sculpture, this was changed to a machine-like aluminum piece. Two tape cassettes are played in the sculpture, a sound poem pronounced differently depending upon the breathing pattern, the other multiple breathing sounds including snoring and accompanying a sexual orgasm. Another element is the word "AIR" formed within Plexiglas by stacking cigarette packs. This work was commissioned for "The Beauty in Breathing" exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was made on an announcement card for an exhibition curated by Julien Blaine that featured several visual poets. -- Source of annotation: Marvin or Ruth Sackner.

The verso is rubberstamped with the following, "Joel Hubaut College du Lapin Semiotik Internatioal Epidemik." A ink het color printed reproduction of this drawing was gifted to individuals who attended the Symposium at the Frost Museum for the Tour de France/ Florida Collections exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut altered a book advertising antibiotics for the presentation. This book served as a maquette for a book to be published in trade edition. -- Source of annotation: Marvin or Ruth Sackner.

This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.

This announcement card depicts a drawing of a pressure cooker by Hubaut on its verso. -- Source of annotation: Marvin or Ruth Sackner.

This is a cover illustration for Ouste Magazine N. 13 by Hubaut. It is a picture of a young girl with long arms and four fingers holding the O (from the title)on a rope. The drawing was presented to Albert Sackner Behar for the Sackners on the occasion of his visit with Hubaut in Normandy. -- Source of annotation: Marvin or Ruth Sackner.

This book includes a description of Hubaut's city performances and his personal glossary. -- Source of annotation: Marvin or Ruth Sackner.

Photograph portrays Hubaut in a garden. -- Source of annotation: Marvin or Ruth Sackner.

This box and its contents represent documentation for an installation in galerie AB, Paris, January 1992. -- Source of annotation: Marvin or Ruth Sackner.

This event was also entitled "Clom Trok-Lu PInk-Pink" and this catalogue documented activities organized by Hubaut in which all resident performers and participants were dressed in pink. Th activities included theatre, contemporary dance, and festivals of electronic and experimental music, and, the book and art. -- Source of annotation: Marvin or Ruth Sackner.

This booklet lists artistic events by several artists and groups in Nantes, France from 2000-2001. Hubaut's exhibition of pink monochromes is described on pages 38-39. Hubaut drew text and signs upon these pages. -- Source of annotation: Marvin or Ruth Sackner.

The drawing added to this book depicts a red rabbit reading a book with hieroglyphics in the speech bubble. The comic strip format consists of colored photographs with and without speech bubbles documenting Hubaut's monochrome performance events. -- Source of annotation: Marvin or Ruth Sackner.