This print depicts a female nude figure outlined in black with a printed red calligraphic text above and hieroglyphics on the left side. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a seated, half-clothed female nude figure outlined in red surrounded by calligraphic text and hieroglyphics printed in black. -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of Lemaitre's works for sale. -- Source of annotation: Marvin or Ruth Sackner.

This book deals mainly with Fahlstrom's literary and poetic works. It includes a reprinting of his manifesto for Concrete Poetry ( 1953). -- Source of annotation: Marvin or Ruth Sackner.

The first five numbered copies contain an additional two rayogrammes (one of which is held by the Sackner Archive). The pictures include portaits of Isou, Lemaitre, Sabatier, Satie, and Woodie Roehmer. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a review of Claude Melin's book, "Chansons de Geste." Valerie Marchand contributed an illustrated essay on the Chinese calligraphic work of Fabienne Verdier. Renaud Siegmann provided an illustrated revew of the Mail Art exhibition, "Le Coup du Mail 98," at Maison des Arts de Laon, France as well as an article on Fabienne Jouvin, a correspondence artist. Rubin Dupre-Marcellin contributed an illustrated article about artists who use writing in their paintings. -- Source of annotation: Marvin or Ruth Sackner.

This book without the drawing was published as Lettrisme New Series No.24, August 1971. The latter is also held by the Sackner Archive. The records are the first in a series "Anthologie Sonore de Lettries dites par leurs auteurs." A description of the contents of the records is given. Isadore Isou contributes a text ,"Le Lettrisme et l'esthetique infinitesimale devant la poesie et la peinture." The drawing consists of calligraphic markings and hieroglyphics additions to a printed fragment of wallpaper that depicts a classical art scene of a goddess dictating to a scribe. The drawings in the two copies of this book differ in the ink additions to the wallpaper pages which are themselves identical. A printed page that reproduces a handwritten text of Maurice Lemaitre describes the history of the records. -- Source of annotation: Marvin or Ruth Sackner.

This book without the drawing was published as Lettrisme New Series No.24, August 1971. The latter is also held by the Sackner Archive. The records are the first in a series "Anthologie Sonore de Lettries dites par leurs auteurs." A description of the contents of the records is given. Isadore Isou contributes a text ,"Le Lettrisme et l'esthetique infinitesimale devant la poesie et la peinture." The drawing consists of calligraphic markings and hieroglyphics additions to a printed fragment of wallpaper that depicts a classical art scene of a goddess dictating to a scribe. The drawings in the two copies of this book differ in the ink additions to the wallpaper pages which are themselves identical. A printed page that reproduces a handwritten text of Maurice Lemaitre describes the history of the records. -- Source of annotation: Marvin or Ruth Sackner.

Printed on the cover of this book is a reproduction of an Isou sound poem, "Des Lendemans Qui Chantent..., La Guerre, 1947. -- Source of annotation: Marvin or Ruth Sackner.

Includes a biography of Isidore Isou as well as a discussion of Isou's relation to the Romanian Urmuz group. -- Source of annotation: Marvin or Ruth Sackner.

Includes a biography of Isidore Isou as well as a discussion of Isou's relation to the Romanian Urmuz group. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists and depicts pages and covers from all PSI publications with the exception of individual cards. The loose sheet is a price list -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Francoise Canal and Albert Dupont. -- Source of annotation: Marvin or Ruth Sackner.

Kac comments on "Adrift," a holographic poem commissioned for the Sackner Archive. It is composed of 7 words that dissolve into space along the Z axis as the viewer reads them back and forth. The letters that make up the words are floating freely along the Z axis except for the word "breathe," which is somewhere integrated into the overall light field. This word blows life to the other words as its letters actually move away from their original position to dissolve again into the light field. -- Source of annotation: Marvin or Ruth Sackner.