Includes an essay about the exhibition of Romanian artist books by Andrei Plesu, "Image, Writing, Breathing," in which he concludes: "And the microcosmic spirit of wind is the breath (k'i). Writing is an embodied breathing, a hieroglyph of the vital soul itself. And in a sense, the exhibition we ponder over is a discourse about breathing, about the meaningful rhythms of spontaneity." -- Source of annotation: Marvin or Ruth Sackner.

This print is wholly black with a large calligraphic abstraction in the center overlying a dense field of hieroglyphics. -- Source of annotation: Marvin or Ruth Sackner.

The catalog deals with European experimental films. -- Source of annotation: Marvin or Ruth Sackner.

The card reproduces a portrait of Francesco Conz in his memory. -- Source of annotation: Marvin or Ruth Sackner.

Poems were composed by Isou, cover and aquatints were made by DuPont with the exception of one aquatint done by Tasiv. The first 10 copies of this book contain a duplicate set of prints on Japon paper. Two of the prints are portraits of DuPont's two daughters formed from dense accumulation of letters, numbers, and hieroglyphic elements. The sound poems were composed by Isou. -- Source of annotation: Marvin or Ruth Sackner.

This is a very well illustrated catalogue of book covers of the art movements featured in the title. -- Source of annotation: Marvin or Ruth Sackner.

This copy is from the deluxe edition of five copies. The tirage of the ordinary edition without the drawing is not provided. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Issue No.3 of a series entitled "Le Monde des grands musee." Isou discusses Lettrisme in the final 19 pages of this book that includes 54 b&w photographs of Lettrist works of art. Page 94 depicts Lemaitre's Sculpture inimaginable" (1964), a multiple redone in 1986 in 50 copies a work which is held by the Sackner Archive. The Sackner Archive also holds the ordinary editon of this book (1973). -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Issue No.3 of a series entitled "Le Monde des grands musee." Isou discusses Lettrisme in the final 19 pages of this book that includes 54 b&w photographs of Lettrist works of art. Page 94 depicts Lemaitre's Sculpture inimaginable" (1964), a multiple redone in 1986 in 50 copies which is held by the Sackner Archive. The Sackner Archive also holds the deluxe editon of this book (1974), one of 50 copies that includes a print by Isou. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate copy does not have folds. -- Source of annotation: Marvin or Ruth Sackner.

Records telephone conversation with Ruth Sackner on page 4. -- Source of annotation: Marvin or Ruth Sackner.

Other than Pomerand and Isou, the listing of 22 additional contributors to this issue are unfamiliar names. However, three of these contributors, e.g., Brasil, Claude Hirsch, and Charles Dobre contributed sound poems. This is the first Lettrist periodical. -- Source of annotation: Marvin or Ruth Sackner.

The spine of the folder is frayed and torn but the contents are in excellent condition. This is probably the finest example of varied experimental Lettrist writing. An essay on four mimeographed loose pages possibly by Isou and not a part of ths piece entitled"Quelques Certitudes Theologiques et Esthetiques" has been tucked into the cove runder the dust jacket.The ouside lithographs are identical from page to page and allread Isidoe Isou repetively accompamied by Lettrist hieroglphics. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds several of Dupont's bookworks listed and depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Luiggi used the initial 'E.' for his surname in this catalogue. Several works depicted in this catalogue are held by the Sackner Archive. The loose sheet lists the prices for the works. -- Source of annotation: Marvin or Ruth Sackner.

This print, labeled sample copy unsigned, depicts a seated female nude figure outlined in black with calligraphic text printed in red in upper right corner. -- Source of annotation: Marvin or Ruth Sackner.