This catalogue consists of a listing of books and artworks in this exhibition; there is only one image - cover by ferdinand kriwet. The First International Exhibition of Concrete, Phonetic, and Kinetic Poetry was held in the Rushmore Rooms, St. Catharine's College, Cambridge, and sponsored by the Shirley Society in 1964 published a catalogue of four pages that is out of print and not in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a comprehensive catalogue of Kriwet's oeuvre that include photographic reproductions of concrete poetry, prints, neon sculptures, installations, performances, critical texts, and typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scotch 3M Pressure Sensitive Tape. -- Source of annotation: Marvin or Ruth Sackner.

Scotch 3M Pressure Sensitive Tape. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts Kriwet's architectural commissions in public spaces both within buildings and outside them. Several involve light or neon formed concrete poetic pieces. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts Kriwet's architectural commissions in public spaces both within buildings and outside them. Several involve light or neon formed concrete poetic pieces. -- Source of annotation: Marvin or Ruth Sackner.

The cover reproduces a lettered painting by Paul Klee. This copy is the first printing; the duplicate copy is the second printing. -- Source of annotation: Marvin or Ruth Sackner.

This is a comprehensive catalogue of Kriwet's oeuvre that include photographic reproductions of concrete poetry, prints, neon sculptures, installations, performances, critical texts, and typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.

The microfiches depict Kriwet's work from 1960-1975. -- Source of annotation: Marvin or Ruth Sackner.

Consists of interviews of several German artists and poets. -- Source of annotation: Marvin or Ruth Sackner.

According to Barbara Moore, there were two versions of this book, one with gallery information that served as an exhibition catalogue and the other without such information as in this copy. -- Source of annotation: Marvin or Ruth Sackner.