Scope and Contents

This eighty third page consists of collaged papers relating to the Dante Stakes horse race at York. It also contains handwritten timetables of Phillips' production notes and a varity of torn labels including a large one that reads "Screen Special - Raising Hell." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This eighty fourth page consists of Phillips' visit to Bayreuth and return to London describing the new developments with TV Dante. Phillips writes "June/July XCI. Lucy has finally sorted out & collated the copies of Inferno. John Duffin only finished the printing in April - how long has it been & the book still costing money & losing money! But a real sense of satisfaction to know how things stand at last.. Forty copies. I made Lucy collate one for herself. July XX It now seems certain that a TV Dante is to be the Ch 4 entry to the Italia prize: Oona gave first word when she was asked to do French subtitles for it. Then Ken Thompson mentioned it. A nice irony that they are proud of the project." On August XV Phillips writes that he had supper with Michael K. at the Caprice and he writes " Keep thinking that Dante news can get no worse But it can, it can. Michael tells me over supper that Dante IS going on, that John Gielgud IS booked to record in September & I know...

Scope and Contents

This eighty fifth page continues with Phillips' writing about his meetings with Bob Peck and others about continuing production of a TV Dante on the right side of the page. The collage elements consist of a paper book cover published by the ICA Cinema with an image from a TV Dante and a page the showing of Peter Greenaways films including a TV Dante. Phillips has added his thoughts about his Dutch colleagues on a handwritten note on the bottom right. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This eighty sixth page has a red headline "The Lying Dutchman." On the left side of the page a dense text is headlined "At Hachenbacker Recording Under Duress......" This is the sound and video studio where Bob Peck and others were recording. On the right side Phillips prints "And a Plotters Meeting in the Secret Garden" which describes the conferences with his producers.The right side contains a collage of the heads of Sir John Geilgud and Bob Peck. A headline remnant from The Independent newspaper reads " The Dutch have gone too far." Also collaged are two London restaurant cards. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This eighty seventh page has the title "Dante's Home Win." The main collage on the page is from the PrixItalia in Urbino/Pesaro and it listsTV Dante by Tom Phillips, Peter Greenaway, Kes Kasander and Denis Wigman.Phillips has written Ugh Ugh Gggrrr Aaarg around the last two names. In a dense text on the right hand side of the page Phillips describes visiting various cites in Pesaro for future filming. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This eighty eighth page is titled "Dante & the Great Game" that refers to "The final consolations of the last hours of Sam Beckett." The center of the page contains Phillips' diary of meetings where he feels that the Dante project will not be continued .The collaged pieces consist of a small scene from a TV Dante, an autobiographical printing of Tom Phillips, Beckett's' failing last months and a map showing filming locations in an Italian town near a street named Via Dante. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This eighty ninth page is titled "1991 Dante Dies in the Desert." The collage elements on the page include a selection from A Humument that reads "The latter marked the finale of the corner of Dante's Desert. Tom like It wasn't his face". An arrow points to a paper book cover titled "Die In Dante's Desert." A second excerpt reads "too weary to worry deep in Dante's Desert." The center section of the page contains an obituary of the actor Robert Eddison. TV Dante is shown again on Channel 4 described as " Swirling, multi-layered video art representation of the epic poem. Directors Peter Greenaway and Tom Phillips received gushing praise from mainstream critics who were apparently unaware that many of the visual techniques and devices employed were pioneered and perfected years ago by relatively unknown artists." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This ninetieth page is titled "Sold Out." Two identical cartoons from the New Yorker Magazine are collaged at the top of the upper right page titled "Dante & Virgil - A Buddy Movie." The left side of the page contains Phillips' diary writing about the end of the TV Dante project and what he could have done differently.A collaged paper book cover at the bottom left is titled "Images from Dante" -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This ninety first page is titled "Look Upon This Picture and on This......" Phillips writes in colored text : A TV (sic) Dante (sic) Continues: the Appalling Ruiz Cantos Appear." The date is now February 1992. The bottom collage pictures a hand holding a book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This ninety second page is titled " They That Wasted US Demanded of Us a Son." The main portion of the page is covered with ripped comp tickets to A TV Dante. A painted gray cloud-like section at the top of the page drips down to the bottom of the page in 13 lines. Phillip's hand written diary continues on the left side of the page recounting his trials and tribulations with the Dutch "art thugs" and he continues to learn of new ideas for continuing A TV Dante but is totally disillusioned with the past events. He plans to write a book about A TV Dante. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This ninety third page describes Phillips' trip to Pescara, Italy for the"Special Prize" for the Prix Italia. He writes more optimistically about a TV Dante. "I think I have now devised the right formula for proceeding with this task and using the structure Peter and I have already built up but opening it up here and there...I am under the illusion that this will be attractive to all parties. Decide to go early tomorrow in order to film in Bologna on the way to Pesao." The collage elements consist of typical Italian paintings, landscapes, a female nude postcard and painted additions. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This ninety fourth page is titled " Can you get it up again Dante?" It contains a dried fruit skin int the shape of male genetalia on the bottom right side of the page.There is a pornographic illustration in the center and handwritten diary text on the left side. Again Phillips wrties of his concerns with the future of a TV Dante. Four hand written paragraphs are blurred by water damage. At the very bottom left Phillips writes "Water from the leaking roof seeps in to wash away the words of the moving finger but the message of folly still viisble & the record of disillusion clear." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This ninety fifth page is titled "A Quest for Identity." Phillips writes in his diary notes on the left side of the page of his experiences in London at the opera as guest of Jeremy King and dinner at the Ivy restaurant. His exhibition at the V&A included many related Dante works and Pella's newly bound 'A Comedy of Errors.' Inferno prints are currently on show at Flowers East & at the National Theatre...Virgil in his Study at Berggruen. Still more problems with a TV Dante. Phillips writes "I know this is all a waste of time and that for me the trail is gone quite cold...Forever cross again, as ever." The collaged clipping on the bottom right describes a robot built and being tested by NASA named Dante.The center of the page is a clipping titled Momento mori found in Jerusalem and a typed label at the bottom of the page announces "The Lovesong of Alfred J Hitchcock" on Radio 3. Several shadowy painted figures reflect Phiillips' mood. -- Source of annotation: Marvin or Ruth...

Scope and Contents

This ninety sixth page is titled "The Centre Cannot Hold." The center collage is a newspaper clipping of a tax scandal as reported in the Guardian. Elements from A Humument are included that read "he halted haunted documents, a series of parchment past.." There are also collage newspaper clippings about a newly crowned black Miss South Africa. Phillips writes in his diary notes "Although this is no. 96 it really is the last of the Dante Diary to be finished. Tomorrow I'll write to Marvin to say that the (illegible) is declared at a century. Now with a black Miss South Africa crowned & a TV Dante unresuscitatable & (illegible) sculptures of skulls in progress and work on the Africa show underway...the world seems to have turned a satisfactory circle even though England did lose the ashes." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This ninety seventh page is titled "Dante Wraps It Up......" Phillips writes in the upper right hand corner " as I send Dante prints to the Gardner Center in Harvard and the last & sputterings of the embers of any interest in a TV Dante die down with new activities replacing them: sculpture etc & the African show I start to wrap." This page contains several found printed images of Dante and references to the end of Phillips' project. For example a page heading "Die in Dante's Desert," a red SOLD label, A comic strip bubble that reads "I guess that about wraps it up," and a scrap of a map near the African Gulf of Aden that points to Dante (Hafun). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This ninety eighth page is titled "I Have Measured Out My Life II." This page contains the obituary of Christopher Betambeau who was a gifted printer. "Tom Phillips, for whom Betambeau printed over a hundred images, including some inspired by Dante's Inferno, describes Betambeau as the greatest craftsman he ever worked with, and says he was almost clairvoyant in his ability to understand what artists wanted. Like a pianist who can fill out harmonies and melodic improvisations from an ineptly whistled tune, Chris could work from hints and mumblings, coming up with visual solutions which were exactly what one had in mind."The remainder of the page is filled with about 20 printed cards and matchbook covers from London restaurants where Tom has eaten. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This ninety ninth page is titled "Dante & the Fatwa." In the upper right hand corner Phillips writes in green ink "The Fatwa year 5 commences and like Dante Salmon continues under sentence of death unable to return from exile. He does not even have the satisfaction of beating me at ping-pong. I do an etching & two lithographs to celebrate. Approaching is the hundredth anniversary of Dreyfus case." At the bottom right Phillips writes on top of a clipping from the Jordan Times "On Monday in the Middle East I am reminded by this (illegible) piece in the JT." The piece referred to reads "Rushdie appeals for meeting with Major - British author Salman Rushdie, sentenced to death by Iran for blasphemy, appealed publicly Sunday for a meeting with Prime Minister John Major." The main image on the page is a portrait of Salman Rushdie with his circular eyeglass lenses collaged with the newspaper article. This portrait of Rushdie also is found on a page of A Humument. the left hand...

Scope and Contents

This one hundredth page is titled "Abandon Hope" and it is printed up side down as is the entire page. At the bottom left Phillips writes "Abandon hope. The original inscription for a TV Dante...drawing a line under dante" It is signed Tom Phillips XXII.VIII.XCIII." On the bottom left corner a collaged comic strip block with a picture of a physician in a white lab coat reads "Thank you, Doctor." This refers to Dr. Marvin Sackner's support for the Dante project. On the upper right hand corner is collaged the saying "Guaranteed for Life." The text on the page reads as follows: Through me you reach the city of despair- Through me you reach eternity of grief - Through me you reach the region of the lost - Justice it was moved my high architect - Divine omnipotence created me - Transcendent wisdom and primordial love - Before me only endless things were made - And I too shall endure without an end - You that enter here - Abandon hope -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This first page from Dante Diary, which is dated from February 28, 1979 to March 19, 1979, includes several indirect references to Ruth and Marvin Sackner. First, there is a sketch of a large drawing which was subsequently acquired by the Sackner Archive, "Letters from a Crane Skin Bag." Then Phillips mentions that Grove Press is working on a portfolio of Dante heads for "Martin Ackerman's [financial] scheme. Phillips introduced Ackerman to the Sackners who became became a close personal friends as well as continuing supporters of Phillips' work. Tom Phillips writes that a portrait of Hilary Hugh-Jones is in progress in the studio. Hugh-Jones was a friend of the Sackners. "Pella meets me from Edinburg" refers to Pella Erskine-Tulloch, Tom's bookbinder and friend whose work is well represented in the Archive. Finally, Phillips composed a poem about Mallarme whose most important work, "Un Coup de Des," became the initial starting point for the Sackner Archive collection. [There was...

Scope and Contents

This second page from Dante Diary, which is dated from March 27, 1979 to April 19, 1979, includes a direct reference to Marvin Sackner. Philllips mentions discussing with him regarding self publishing Dante's 'inferno.' There are several, diverse sketches depicted on this page including a portrait of Hilary Hugh-Jones near the center at the the lower border. Her husband Philip Hugh-Jones, a British pulmonary physician was a friend of Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.