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In Phillips' book Works and Text (1992), he indicates that this print (page 135) was ...put together with images of implied anger and violence; principally a cigarette-packet scarred with magnificant and furious drawing; done perhaps by someone driven to miniature and confined brutality as he (or she) waited for that feared and/or needed telephone call... On a more celebratory note I have used the letters ER from a piece of graffeti saying in full 'we are the bovver boys, dave and fred' as a reminder that this portfolio was finished in the Jubilee year." This print constitutes one of six prints from walking 1/2 mile around Phillips' studio. - it is based on the belief that there are no dull walks, only dull walkers. -- Source of annotation: Marvin or Ruth Sackner.

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Tom Phillips is listed in this program for the ENO as the translator and designer for Verdi's opera, Otello. He also served as the stage manger. The catalogue reproduces two visual poetic drawings for the opera stage set. The loose folded sheet is a favorable review of the set design and translation by Phillips. -- Source of annotation: Marvin or Ruth Sackner.

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Includes the text of a poem dealing with mushrooms that also was printed in Opening No.9. This painting plays with ideas that will be subsequently used by Phillips, e.g., A Humument, the concept of an image changing over time, the grid, permutations. -- Source of annotation: Marvin or Ruth Sackner.

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The cards consist of Phillips' lecture notes on artist books. -- Source of annotation: Marvin or Ruth Sackner.

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This folder is a tribute to Erik Satie, along with an exhibition and concert on the 25th anniversary of his death. Tom Phillips and Ron King contributed the colored prints in addition to the black and white versions also in this folder. The Phillips print is a page of A Humument. There were 50 copies of a signed edtion with handcolored prints by Phillips and King and 30 artist proofs with handcolored prints by Phillips and King in this edition. -- Source of annotation: Marvin or Ruth Sackner.

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This folder is a tribute to Erik Satie, along with an exhibition and concert on the 25th anniversary of his death. This edition contains prints by Tom Phillips and Ron King in black and white. There were 50 copies of a signed edition with handcolored prints by Phillips and King and 30 artist proofs with handcolored prints by Phillips and King in this edition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Wikipedia: Callow was born in Streatham, London, England, UK, the son of Yvonne Mary (nee Guise), a secretary, and Neil Francis Callow, a businessman. His father was of English and French descent and his mother was of Danish and German ancestry. He was brought up Roman Catholic.Callow attended the London Oratory School and then went on to study at Queen's University Belfast ('Queen's') in Northern Ireland before giving up his degree course to go into acting at the Drama Centre London. Callow's immersion in the theatre began after he wrote a fan letter to Sir Laurence Olivier, the Artistic Director of the National Theatre, and received a response suggesting he join their box office staff. It was while watching actors rehearse that he realised he wanted to act.Callow made his stage debut in 1973, appearing in The Thrie Estates at the Assembly Rooms Theatre, Edinburgh. In the early 1970s he joined the Gay Sweatshop theatre company and performed in Martin Sherman's critically acclaimed...

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This relates to Phillips' exhibition at the Yale Center for British Art, April through June 12, 1994. The Sackners lent six works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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These were labels made by Phillips for his exhibition of artist books at the V&A library. -- Source of annotation: Marvin or Ruth Sackner.

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On pages 22-23, Dan Graham presents his plan for Schema, a set of poems whose component pages are specifically published as individual poems in various magazines. This invoves participation by the editor. -- Source of annotation: Marvin or Ruth Sackner.

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The three covers have different collaged images taken from Tom Phillip's Words and Texts. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition includes the first showing of the Curriculum Vitae paintings. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

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This is the design for the cover of the trade edition of A Humument that was rejected by Hansjorg Mayer, the publisher.. -- Source of annotation: Marvin or Ruth Sackner.

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Beaulieu made this book by tracing a line to each letter of Abbott's book "Flatland. -- Source of annotation: Marvin or Ruth Sackner.

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Tom Phillips states "he remains sceptical that photography can be considered an art form" in this preview article on the RA 150 years of photography exhibition. -- Source of annotation: Marvin or Ruth Sackner.