Reviews the restoration of the Globe Theatre in London for Shakespearean plays and specifically mentions Tom Phillips' production design of "The Winter's Tale." -- Source of annotation: Marvin or Ruth Sackner.

The poem reads, "The cliche kiss, engraved upon the air - a rain of rice when wrong boys finger the yellow sand; - Two that look then burst the loaded bus" -- Source of annotation: Marvin or Ruth Sackner.

Central image is a photograph standing near Tom Phillips' Curriculum Vitae painting. -- Source of annotation: Marvin or Ruth Sackner.

Central image is a scanned photograph of Marvin Sackner standing near Tom Phillips' Curriculum Vitae painting. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent several original pages A Humument (from 1st revised edition) by Tom Phillips to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is a beatufully attractive concrete poetic/language art print as a classic Phillikps stecilled work. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips was the designer for the production of Shakespeare's Winter's Tale at the newly reconstructed Globe Theatre and this card depicts the stage scene. -- Source of annotation: Marvin or Ruth Sackner.

This photoessay by Sara Sackner published on the Phillips web site for the first time, documents the work at Tom's studio in London during the production of the fine press book Dante's Inferno in 1980. This is vol. 6, no. 1 of recent website updates. John Pull, webmaster, writes, " I first saw Sara's photos while visiting the Sackner Archive of Visual and Concrete Poetry (sic) in Miami Beach. I loved the image I saw of Tom and NIck Tite reviewing the plate and was floored by the cache of prints Sara loaned me for this special exhibition, 57 in '80. Fond appreciation to Sara for her generosity." -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips' blog includes the latest information about his exhibitions and reviews and design projects in London and in the Westminster Cathedral. The most detailed portion of the blog describes and illustrates Phillips' work on his painting "Quantum Poetics." Phillips' description of his creative process in developing the work is a rare insight into an artist's mind and techniques. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips designed the 50 pence coin set into the perforation of the card. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips comments on El Greco's paintings at an exhibition held in the National Portrait Gallery. -- Source of annotation: Marvin or Ruth Sackner.

These are views of pages from A Humument (first revision) as installed in the gallery. The pages were lent to the exhibition by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This guide mentions that a 50 minute film shown in the National Gallery about Titian includes an interview with Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Toge refers to the male protagonist in Phillips' book 'A Humument.' This is a two dimensional wall piece with letters formed from twisted copper rods that have been brazed together. The poem employs combinations of texts from the book. -- Source of annotation: Marvin or Ruth Sackner.

Toge refers to the male protagonist in Phillips' book 'A Humument.' This is a two dimensional wall piece with letters formed from twisted copper rods that have been brazed together. The poem employs combinations of texts from the book. -- Source of annotation: Marvin or Ruth Sackner.

This essay focuses on the material and visual traces of everyday life, in particular his engagement with photgraphs and postcards as objects of art. Joe Moran, the author, describes Phillips project "20 Sites n Years." He also points out the similarity in the compulsive interest between Phillips and George Perec. Phillips use of postcards as in "The Postcard Century" and in his semial painting "Benches" is noted. -- Source of annotation: Marvin or Ruth Sackner.