This image is derived from the cover of a CD of choral works by Tarik O'Regan. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips designed the cover and Taril I'Regan composed the music. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips designed the cover and Taril I'Regan composed the music. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips designed the cover using a Humument page. Germano Celant contributed an essay, "Artists' Manifestos & Magazines." -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips illustrated this new edition of "Waiting for Godot," including a reproduction of his 1985 lithograph portrait of Samuel Beckett. Phillips writes in the Illustrator's Note that he made "from its almost total absence of visual clues the illustrations for the Folio Society edition...that spring from two conversations, one with Samuel Beckett, the other with the Folio Society' production director." -- Source of annotation: Marvin or Ruth Sackner.

The exhibition featured studio portrait postcards (c.1900-1935) of ordinary British people that were classified according to Phillips in terms of the imagery and content, e.g., Aspidistra; Backgrounds: Studio Seas; Make Believe: Children; Picnic; House: the Terrace; Fantasy Transport: by Car; Dance; Workers: the Factory, etc. Tom Phillips wrote the introduction and James Fenton contributed the Preface: Collecting Postcards. In the latter, Fenton distinguishes between Selective and Accumulative collecting and notes that Phillips' postcards are an excellent example of accumulative collecting. He notes that Phillips has assembled over 50,000 postcards and sorted them into 120 categories. Page 125 in the Pram category depicts Tom Phillips and his brother as babies in a Pram. -- Source of annotation: Marvin or Ruth Sackner.

These cards are reproduced from an exhibition of Tom Phillips postcards entitled, "We are the People." -- Source of annotation: Marvin or Ruth Sackner.

This issue includes review by Steven Litt of Tom Phillips' exhibition at the North Carolina Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "Personal Choice: Selections from Four Penn Alumni Collections" at the ICA at the University of Pennsylvania in which selections from the Sackner Archive were included. -- Source of annotation: Marvin or Ruth Sackner.

The book is based upon Phillips' collaged portraits of classmates attending his primary school, which was exhibited in London at the National Portrait Gallery in 1988. Phillips sent copies of 31 images to the American Seattle poet, Heather McHugh, who composed a poem for each portrait. Phillips then interpreted the poems in the style of "A Humument." His new text sometimes reaffirms and other times contradicts the poet's intrerpretation of the pictures. The collage, conventional poem and visual poem were printed by Minsky on the same page using Richard de Bas paper, a computer, and a Canon BJ-130 inkjet printer. This copy is the only one that contains the 31 images and poems handcolored by Phillips. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a portrait of a banker. -- Source of annotation: Marvin or Ruth Sackner.

Title relates to the making of collages torn from color magazine supplements. The Sackner Archive holds an example, "Persecution." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "The Postcard Century" by Tom Phillips in which the Callow writes, "It takes an extraordinary intelligence to fit the history of our century on a postcard." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "The Postcard Century" by Tom Phillips. Kustow writes that "Phillips speculates on the characters and narratives of his vanished postcard-senders and the blurred bystanders in the pictures, while uncovering landscapes of wonder and networks of meaning in the ephemera of our age." -- Source of annotation: Marvin or Ruth Sackner.

This print was made by Phillips at or around his exhibition at the Wolverhampton Gallery in 1971. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips provided an introductory essay and Philip Treacy a foreward. -- Source of annotation: Marvin or Ruth Sackner.