Each page has typed text in German and handwritten text in Russian such that each book of the edition of 15 might be considered as a unique example. -- Source of annotation: Marvin or Ruth Sackner.

One of the pamphlets that consists of a printed folded papercard sheet depicts a colored photograph of Scherstjanoi and also includes the colophon. The other pamphlet consists of Table of Contents for the picture poems in the three books. The theme of the drawings is Scherstjanoi's hieroglyphic, interpretations of the landscapes of Aix-en-Provence and Arie after Paul Cezanne and Vincent van Gogh. The individual drawings are reminiscent of those found in the books by Albrecht Genin that are also hold by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The hard cover book includes 15 hieroglyphic drawings uilizing Scherstjanoi's own alphabet that is explained in the book. The poem-drawings are sound poems. Each card depicts a single "letter" of the alphabet. The calligraphy resembles that of Albrecht Genin and Werner Hartmann. -- Source of annotation: Marvin or Ruth Sackner.

The earliest work in this sampling of Segay's visual poems is dated 1973 and the latest 1997. Most pages of the soft cover book consist of black paper with stylized cut out letters that form a text which is collaged to the white pages. One collage in the book was done as a collaboration among Segay, Nikonova, and Scherstjanoi. The material is enclosed within a handmade portfolio, held together by thick black laces with gold foil at the tips. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of the prints by Ann Noel, You and Negative, both held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.