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Exhibition curated by Dietrich Mahlow. The cover is perforated such that the word "collage" is formed. -- Source of annotation: Marvin or Ruth Sackner.

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This a critical text dealing with issues after the exhibition, "Between Poetry and Painting" at the ICA in London 1966. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Aida Audeh and Stephen C. Foster. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. Included an outstanding Dada collage by Hausmann, "Dada -- Cino" (1920); it was inscribed to Kurt Schwitters and was extensively documented. An exquisite corpse by Yves Tanguy, Jeanette Breton and Andre Breton was offered for sale. -- Source of annotation: Marvin or Ruth Sackner.

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Curated by Judi Freedman with special essay by John C. Welchman, the book gives an over-view of the artists from 1915 through 1940 who "included words, letters and numbers in their works and in so doing altered perceptions of what a painting or an art object could and should be." -- Source of annotation: Marvin or Ruth Sackner.

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This 1965 reprint of the book first published in 1958 includes a Dada lexicon and chronology from 1914 to 1925 of events, artists and publications. Willy Verkauf aka Andre Verlon -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

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This book deals mainly with layouts and typography. -- Source of annotation: Marvin or Ruth Sackner.

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Karl Riha edited the series that included this book. -- Source of annotation: Marvin or Ruth Sackner.

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This article reviews the "Between Poetry and Painting" exhibition held at the ICA London, in 1965. -- Source of annotation: Marvin or Ruth Sackner.

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This print-out serves as a catalog for the exhibition at MoMA. -- Source of annotation: Marvin or Ruth Sackner.

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This is a compendium of poems, brief autobiographical essays, and Dada writings by Schwitters that were selected by Christina Weiss and Karl Riha. -- Source of annotation: Marvin or Ruth Sackner.

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Includes an inciteful essay about mail art by Buzz Spector. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The exhibition, "Et Tous Ils Changent le Monde" ("And All of Them Change the World"), reveals, outside of major works, an ensemble of art moments that have been perceived as essential in the course of modern and contemporary art, the avant garde artists from the beginning of the century and those of today. Marc Dachy, who proposed the theme of the exhibition, writes in his preface that this biennale was to present Dada and its spirit, connections and relationships to contemporary art. Dachy gives a broad overview with reference to specific artists participating in the exhibition and describes their relationship to art movements such as Situationism, Art Brut, Conceptual and the language-art movements of concrete and visual poetry, Fluxus and Neo-Dada. The book is arranged such that each section deals with an individual artist. The section includes a reproductions of the works, a critical essay, an interview or documentation by the artists on his/her works. -- Source of...

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Insight, inspiration, and wit from over one hundred designers, artists, and other relevant thinkers about the art, craft, process, business, and controversy of design. -- Source of annotation: Marvin or Ruth Sackner.