Each card depicts multiple drawings of the designated letter and related political ideograms. The verso of the card explains the symbolism of the latter. -- Source of annotation: Marvin or Ruth Sackner.

This card was an invitaion for an exhibition of Villegle's work in the gallery. The paper envelope that it was mailed in is stored in drawer cards/ -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features documents of the avant-garde. -- Source of annotation: Marvin or Ruth Sackner.

In the chapter titled "Spontaneous Manifestation" Villegle writes,"Paradoxically, laceration is connective: the torn, divided, destroyed parts trigger relationships with a mutilated world of harlequins, tonal medleys, untotalizable or apparently unconnected fragments. A wrenching slash, by uncovering successive layers of paper, helps to create a new, suggestive meaning that unifies the highly divergent phenomena printed thereon." -- Source of annotation: Marvin or Ruth Sackner.

This book depicts deconstructed collages in color by Villegle from 1996-1999; composite black and white photographs document performances. -- Source of annotation: Marvin or Ruth Sackner.

Kaira Cabansas contributed a major essay titled " Poster Archeology" that traced the career, work and artistic milieu of Villegle and the New Realists. The book includes over 200 color illustrations of the artist's works and poems. Nicholas Bourriaud conducted an interview with Villegle and Francois Bon wrote about "Peeling Back the Layers of Time." -- Source of annotation: Marvin or Ruth Sackner.

The disc holds several .jpg files that document the working methods of Villegle. Contrary to most belief, his decollages are carefully planned and constructed. -- Source of annotation: Marvin or Ruth Sackner.