This issue depicts large red images of the heart, star, lips accompanied on a facing page with brief captions in large red handwritten letters. Julien Blaine uses his given name, Christian Pontevin, in this periodical. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. This work is printed on orange colored stock. In addition to the duplicates, there is an additional copy with only the second page printed on white colored stock. The documentation in this issue deals with the March 1968 French revolution. The manifesto, printed in four languages, is entitled "For the night and day awakeners basic platform of the poetry ." -- Source of annotation: Marvin or Ruth Sackner.

This scholarly, informative and well illustrated catalogue describes the adventures of the post-WWII artists who searched for new forms of liberty in art beyond aesthetic conventions of the moment or social norms. The exhibition was organized in two sections:1952-1968 and 1968-1994. The catalogue also includes a section of music and cinema, a chronology organized by year and event location and a bibliography. Most of the text consists of interviews of the participants. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology of correspondence and stamp art. -- Source of annotation: Marvin or Ruth Sackner.

The first third of the book consists of abstract sculptural works of Gribaudo accompanied by texts by are critics on the facing pages. This is followed by a concrete poetry section curated by Adriano Spatola that has concrete poems on the left facing page and works of Grigaudo on the right facing pages. Some of the poems relate in layout to the sculptural works, others do not. Most poems were composed with typing or letraset. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns Harris' acceptance of Blaine's text in Spanish for "Fleye" issue No.4. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this work is the Iris flower and most pages depict drawn abstractions of the flower in gray-black colors. The latter is an unexplained contradiction to the purple colors of the flower. The folder enclosing the pamphlets, pages, and drawings is inserted into an enclosure in the rectangular shaped earthy, ceramic vase which has another round enclosure for an artificial Iris flower with its stem. A polaroid photograph depicts the process of how the drawing was made - by rubbing the flower over paper to form the word "Iris" from its pigments.Also designated No.2/Tome 11 in the series ARTCI-BLE Petits Dictionnaires Portatifs. -- Source of annotation: Marvin or Ruth Sackner.

Jean-Francois Meyer contributes two descriptive pages with illustrations of the work of Julien Blaine. This periodical is filed in the Blaine box. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a color photograph of a volcano eruption on a small island in the Pacific Ocean east of Madagascar. -- Source of annotation: Marvin or Ruth Sackner.