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The object is a decorated, old, wireless telephone. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition of visual poets was curated by Uwe Warnke and was also designated interWall Nr.4. The six original works in the folder represent examples of the works described in the catalog. -- Source of annotation: Marvin or Ruth Sackner.

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Includes the 2004 European Design Annual. Andrea Deszo designed the cover that consisted of an embroidered heart. She was also a participant in the Pricked exhibition 2007; the exhibition catalogue is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this book is control of pests, e.g., insects, rabbits, etc. -- Source of annotation: Marvin or Ruth Sackner.

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Includes a glossary of terms based upon the Sackner's list published in the exhibition catalogue, "The Beauty In Breathing." -- Source of annotation: Marvin or Ruth Sackner.

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The title of this book is "System Error" and refers to the September 11 catastrophe at the World Trade Center. -- Source of annotation: Marvin or Ruth Sackner.

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This anthology depicts a photographic of each participating artist/poet and an example of their work along with a brief biography. Klaus-Peter Dencker provides a list of the names and addresses of German speaking artists/poets. Kai Selbar's print, "Optimist," is depicted on page 67; this print is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This unedited and unpublished manuscript depicts drawings, graphics, photos, and visual poems produced by collage, rubberstamped or photocopied techniques. Most were rendered as photocopies. -- Source of annotation: Marvin or Ruth Sackner.

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The signed, ink, line drawing was done on the facing pages just after the colophon. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition featured Ebel's text collaged objects as well as Artist Books and the contents of four issues of miniature obscure (edited by Ebel). -- Source of annotation: Marvin or Ruth Sackner.

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This book constitutes the originals from the exhibition at Studio im Hochhaus, Berlin, 1995 of collaborations between Hartmut Andryczuk and other artists and poets carried out from 1993-1995. On the previously folded pages, the contribution of Andryzuk is adjacent to the collaborator. One page was initiated by Andryczuk, the other by the collaborator. The soft cover book (24/70) in an envelope on the inside of the back cover, documents and reproduces the contributions in black & white. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This unique book was shown at an exhibition at Galerie 13 in Hannover, Germany from January 19 - February 24, 1996. Indeed, a catalogue reproducing the works in this book is included in a folder within the book; a brochure announcing the exhibition is also included. The book is divided into five parts, three in the first part and two in the second part of the dos-a-dos design. The first part includes Andryczuk's "Cosmographic Poetry and Art." This consists of 18 pages of rubberstamped images like an accordion and a stylized sun figure with a single letter in colored ink alongside the image. In addition, there are four pages of rubberstamped bees and drawn ink and gold figures and letters on commercially printed material.The second section entitled, "Letters for myself" consists of 18 pages of airmail envelopes collaged onto a white page which has been rubberstamped, "KOPIA" at the top and 030495 at the bottom. The envelopes are rubberstamped with an image of a Scuba diver and a...

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The first 75 postcards are generally ones that Andryczuk addressed to himself; he titled them the "Lobo 1998" cards. Therafter, the project becomes collaborative with other poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work consists of a a painted box with two bookshelves and a horizontal compartment within its center divide. It houses 10 folders holding large, handmade postcards usually from thick cardboard or fragments of hard cover bookbindings. The hard cover book documents the project, annotates the postcards, and depicts photocopied colored reproductions of one side of all the postcards. The folders hold the original postcards No.1-166 between Freddy Flores Knistoff and Harmut Andryczuk, No.167-247 between Wolf Rosenthal and Harmut Andryczuk, No.248-276 between Harmut Andryczuk and Wolf Rosenthal, No.277-298 between Harmut Andryczuk and Pierre Garnier and between Pierre Garnier and Harmut Andryczuk, and No.299-339 between Harmut Andryczuk and Freddy Flores Knistoff. The writer is identified through a symbol assigned to each. Further, Wolf Rosenthal signature on his postcards often is "lobo." The content of several cards is political dealing with the conflict in Kosovo. The edition of...