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Apollinaire, Guillaume, 1880-1918

 Person

Dates

  • Existence: 18800825 - 19181109

Found in 410 Collections and/or Records:

Modern Visual Poetry / Bohn, Willard ; Albert-Birot P ; Andrews B ; Apollinaire G ; Arp H ; Ball H ; Belloli C ; Bernstein C ; Breton A ; Butor M ; DeCampos A ; DeCampos H ; Cangiullo F ; Carra C ; Caws MA ; Chopin H ; Cluver C ; Cook G ; Crotti J ; cummings ee ; Curtay JP ; Doctorovich F ; Drucker J ; Duchamp M ; Dupont A ; Fahlstrom O ; Finlay IH ; Foster S ; Gappmayr H ; Garnier I ; Garnier P ; Ginsberg A ; Gomringer E ; Hachette M ; Hausmann R ; Herbert G ; Higgins D ; Houedard DS ; Ionesco E ; Isou I ; Jarry A ; Kac E ; Kolar J ; Kostelanetz R ; Lemaitre M ; Mallarme S ; Marinetti FT ; Mayer HJ ; Mayer P ; McCaffery S ; Morgan E ; Nannucci M ; Novak L ; Paz O ; Perloff M ; Picabia F ; Pignatari D ; Poyet F ; Ray M ; Roche J ; Ruhm G ; Sackner MA ; Saroyan A ; Schwitters K ; Seaman D ; Severini G ; Soffici A ; Solt ME ; Spacagna J ; Tablada J ; Tashjian D ; Tzara T ; Valoch J ; Williams E ; Zayas M ; Zurbrugg N ; Sackner RK ; Pound E ; Fenollosa E ; Meriano F ; Papini G ; DeZayas M ; Kerfoot J ; Rusinol S ; Foix J ; deSojo VS ; Sindreu i Pons C ; Bann S ; Dohl R ; Bremer C ; Bense M ; Perloff M ; Satie A ; Broutin GP., 2001

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Identifier: CC-35848-37609
Scope and Contents This detailed scholarly study of modern visual poetry defines and illustrates this international movement with particular emphasis on materials written in English, French, Italian, Spanish, German, and Catalan. Bohn writes, "For all intents and purposes, visual poetry can be defined as poetry that is meant to be seen - poetry that presupposes a viewer as well as a reader...Visual poems are immediately recognizable by their refusal to adhere to a rectilinear grid and by their tendency to flout their plasticity. In contrast to traditional poetry, they are conceived not only as literary works but also as works of art." Although the title of this book connotes 'visual poetry,' the examples chosen are verbal poems without incorporation of visual imagary . Bohn aptly dissects the meaning of several concrete and visual poems in this book. He is particularly enamored of the shaped poems of Jose Juan Tablada as well as the Spanish Futurists. The concrete poetry movement is researched in...
Dates: 2001

Musings on the Vernacular / Johnston, Alastair ; Marinetti FT ; Apollinaire G ; Schwitters K ; Villegle J ; Hains R., 1988

 Item
Identifier: CC-08231-8393
Scope and Contents

The theme of this book is photographic reproductions of textural and pictographic images of shop signs and billboards. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Networked Art / Saper, Craig J. ; And M ; Andersen E ; Anderson L ; Apollinaire G ; Arias-Misson A ; Arp H ; Atchley D ; Bakhchanyan V ; Bann S ; Baroni V ; Barreto-Rivera R ; Barthes R ; Beckett S ; Belloli C ; Bense M ; Benveniste A ; Bernstein C ; Beuys J ; Blaine J ; Bleus G ; Azeredo R ; Bohn W ; Bory JF ; Breakwell I ; Brecht G ; Breton A ; Cage J ; Cantsin M ; Cavellini GA ; Carra C ; Cardella J ; Chopin H ; Cleveland B ; Cluver C ; Cobbing B ; Connor B ; Corner P ; CrackerJackKid ; Crozier R ; Curnoe G ; Crane M ; Damen H ; Debord G ; DeCampos A ; DeCampos H ; Depero F ; Dias-Pino W ; Dotremont C ; Dunn L ; Dufrene F ; Dutton P ; Export V ; Fahlstrom O ; Feldman M ; Filliou R ; Finlay IH ; Fiore Q ; Flynt H ; Fricker HR ; Friedman K ; Gaglione B ; Garnier I ; Garnier P ; Gomringer E ; Graham D ; Grogerova B ; Gysin B ; Haack H ; Hachette M ; Hains R ; Heissenbuttel H ; Held Jjr ; Hendricks G ; Higgins D ; Hirsal J ; Higgins EF-III ; Holzer J ; Home S ; Houedard DS ; Huelsenbeck R ; Hutchins A ; Indiana R ; Isou I ; Johnson R ; Jorn A ; Kaprow A ; Knowles A ; Knizak M ; Kostelanetz R ; Kriwet F ; Kruger B ; Leary T ; LeWitt S ; Lichtenstein R ; Lyons J ; McCaffery S ; MacLow J ; Malanga G ; Mallarme S ; Manzoni P ; Marcus G ; Marinetti FT ; Mazza A ; Metzger G ; Moholy-Nagy L ; Morgan E ; Neuhaus M ; Nichol bp ; Nitsch H ; Nova GL ; Novak L ; Oisteanu V ; Padin C ; Perkins S ; Perloff M ; Phillips T ; Pignatari D ; Petasz P ; Porter B ; Rauschenberg R ; Brown B ; Rehfeldt R ; Rosler M ; Roth D ; Ruhm G ; Ruch G ; Ruscha E ; Sabatier R ; Samaras L ; Schmidt SJ ; Schwitters K ; Seaman D ; Simmias of Rhodes ; Smith O ; Solt ME ; Spacagna J ; Steiner W ; Spoerri D ; Studeny F ; Lemaitre M ; McLuhan M ; Tisma A ; Trusky T ; Tupitsyn M ; Twombly C ; Ulrichs T ; VanDoesburg T ; Varney E ; Vostell W ; Warhol A ; Watts R ; Was E ; Williams E ; Zack D ; Zukofsky L ; Zurbrugg N ; Altmann R ; Sackner RK ; Sackner MA ; Cortese R ; Evans J ; Giorno J., 2001

 Item
Identifier: CC-52169-73288
Scope and Contents Back cover: The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems-money, logos, corporate names, stamps-to create intimate situations among the participants. In Saper's analysis, the pleasures that these aesthetic situations afford include shared special knowledge or new language among small groups of participants. Functioning as artworks in themselves, these temporary institutional structures-networks, publications, and collective works-give rise to a gift-exchange community as an alternative economy and social system. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and...
Dates: 2001

Nijhoff, VanOstaijen, "De Stijl:" Modernism in the Netherlands and Belgium in the First Quarter of the 20th Century / Bulhof, Francis, editor ; VanDoesburg T ; Bonset I ; VanOstaijen P ; Marinetti FT ; Rimbaud A ; Apollinaire G., 1976

 Item
Identifier: CC-23026-23463
Scope and Contents

Essays were originally delivered at the symposium "Modernism in the Low Countries 1915-1930," held at the University of Texas at Austin. Primary focus was on Dutch Modernist poetry, especially the work of VanOstaijen and Bonset. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

nine leaves from nicholodeon; a book of lowerglyphs / Wershler-Henry, Darren; Nichol bp; Apollinaire G., 1994

 Item
Identifier: CC-37592-39449
Scope and Contents

Darrin S. Wershler-Henry aka manitoba alphabet cult. The pieces in this suite are reprintings of bp Nichol on the commemoration of dedication of bp nichol lane at the toronto small press book fair in 1994. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

No.3 / Campbell, Marcus ; Andre C ; Apollinaire G ; Arakawa ; Gins M ; Arp H ; Art & Language ; Baj E ; Balla G ; Berman W ; Beuys J ; Boltanski C ; Brecht G ; Broodthaers M ; Brossa J ; Buren D ; Cage J ; Knizak M ; Vostell W ; Cobbing B ; Cortot J ; Sarduy S ; Denes A ; Duchamp M ; Ernst M ; Gappmayr H ; Gerz J ; Gontcharova N ; Goodnough M ; Grosz G ; Hausmann R ; Hill A ; Hoch H ; Holzer J ; Iannone D ; Itten J ; Johns J ; Johnson R ; Kabakov I ; Kaprow A ; Kassak L ; Kiefer A ; Kitaj R ; Kolar J ; Komar & Melamid ; Kuitca G ; Larionov M ; Latham J ; Leger F ; Lissitzky E ; Malevich K ; Ray M ; Manzoni P ; Marinetti FT ; Martin K ; Merz M ; Michaux H ; Munari B ; Oldenburg C ; Ono Y ; Opalka R ; Paolozzi E ; Parmiggiani C ; Picabia F ; Popova L ; Puni I ; Rodchenko A ; Roth D ; Ruscha E ; Schneemann C ; Teige K ; Tilson Jo ; Tremlett D ; Trockel R ; Tuttle R ; Uldaltsova N ; Vesnin A ; Vostell W ; Warhol A ; Weiner L ; Fahlstrom O ; Larionov M ; Burliuk D ; Leger F ; Schwitters K ; Wyndam-Lewis ; Breton A ; Acconci V ; Ben ; Broodthaers M ; Cinicolo-3 D ; Corner P ; Damen H ; DeVree P ; Feldmann HP ; Finlay IH ; Hendricks G ; Higgins D ; Johnson R ; Knizak M ; Knowles A ; Kosuth J ; LeWitt S ; Manzoni P ; Martin K ; McLean B ; Merz M ; Nannucci M ; Paolozzi E ; Phillips T ; Ruppersberg A ; Shiomi M ; Spoerri D ; Filliou R ; Williams E ; Topor R ; Thomkins A ; Valoch J., 2002

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Identifier: CC-39173-41117