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The drawing depicts aspects of automobile accident in REgime Dell'Umbria, Provincia di Perugia, Italy in July, 1989. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition, curated by Julien Blaine, comprised statements and representative works from several international visual poets that memorialized five "ambassadors" of poetry who died in the past five years. The "ambassadors" were Franco Beltrametti, Julio Campal, Guillermo Deisler, Mathias Goeritz, amd Adriano Spatola. The statements were responses to the questions: What do you speak about in your work? Why the world? What about international exchange? Each poet also submitted an autobiography that was reprinted. Page IX depicts a photographic reproduction of a sculpture, "A" by Bartolome Ferrando that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This is a catalogue of works being sold by an Italian collector, Mauro Corinaldi in Milan, whom the Sackners know. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is an anthology of Balestrini's poems and essays from the time he lived in Milan 1975. On Balestrini's website, Andrea Cortellessa writes "Unlike traditional epic, who sings the tale of the origins in tone fabulous because the bard is exactly great distance from the events, this Balestrini is an epic of which is written 'in direct, "and then takes rather tones chronicle. Just the chronicles of events are cut, mounted with other materials and (conventional) verse. This structure, tend random (remember the experiments computer poetry of the sixties) reaches a maximum penalty in that appears to the reader 'posthumous' of that season, a true masterpiece -- certainly one of the outcomes achieved most of Balestrini, and of the entire poem the Seventies: the quadripartite poem Blackout. The result is a concentrated very expressive, to which sophisticated complexity of references cultural and implacable compositional rigor - Who can remember that in some ways, based mathematics and...

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The theme of this exhibition was inspired by the 100th anniversary of Mallarme's Un coup de des jamais n'abolira le hasard. Combining music and poetry and preceding the Dadists and Futurists, Mallarme constituted a line that passed to Apollinaire, Michaux, Klee, Max Ernst and Fluxus. This catalogue demonstrates the writing and artistic expression emerging in the century after Mallarme's birth. The works in this catalogue are mainly oriented to calligraphic expressions. The book has extensive illustrations of the latter that are printed in color. The Sackner Archive holds artist books similar in imagery to pages of Hubaut's book reproduced in color in this catalogue. Nanni Balestrini contributed 13 panels of an alphabetical visual poetry piece that are reproduced in color in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this exhibition was inspired by the 100th anniversary of Mallarme's Un coup de des jamais n'abolira le hasard. -- Source of annotation: Marvin or Ruth Sackner.

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One page of this periodical depicts a drawing by the Italian artist, Gianfranco Baruchello, in which the artist has interpreted the lungs as bellows. -- Source of annotation: Marvin or Ruth Sackner.

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A collage held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue features Balestrini's collages and ink jet prints on varied media from 1961 to 2006. Balestrini's collage entitled "SOS" (1964) that is held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue features Balestrini's collages and ink jet prints on varied media from 1961 to 2006. Balestrini's collage entitled "SOS" (1964) that is held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

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Contains article by Vittore Baroni "Aspetti Dellla Poetica Visuale: Baroni, Colonna, Luigetti, Maggi." -- Source of annotation: Marvin or Ruth Sackner.

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Balestrini placed fragmented letters printed with an ink jet printer work on canvas as the basis for this work. He then randomly painted within several letters the colors, orange, yellow, green, red, blue and purple. The background letters are of varyied fonts and sizes typical of his poetic works. -- Source of annotation: Marvin or Ruth Sackner.

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This booklet was one of six published as a supplement to Incidences No.2 that commemorated exhibitions sponsored by ARTCI-BLE in Montpellier, France 1994-1995. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Vanni Scheiwiller. Also designated Il Quadrato Formato Minor Serie No.3. -- Source of annotation: Marvin or Ruth Sackner.