Bag is addressed to Luc Fiierens. -- Source of annotation: Marvin or Ruth Sackner.

Horn is also known as the Northwest Mounted Valise. -- Source of annotation: Marvin or Ruth Sackner.

This publication is based on the Lewis Carroll masterpieces "Alice's Adventures in Wonderland" and "Through the Looking Glass and What Alice Found There." Vittore Baroni had a life-long fascination with the writing of Carroll and Alice's adventures. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds a painting by Suarez, "Brasil: Mentida la Verdad (Layed the Truth)." -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Guy Bleus. This catalogue includes an introductory essay by Guy Bleus with definitions of the artist book. It also includes brief statements by several artists on the artist book, viz., Fernando Agiuar, Albrecht d., Carl Andre, Mirella Bentivoglio, Piermario Ciani, Robin Crozier, Guillermo Deisler, Goivanni Fontana, H.R. Fricker, John Held, Jr., Judith Hoffberg, Joel Hubaut, Ray Johnson, Ruggero Maggi, Robert C. Morgan, Geza Perneczky, Gunther Ruch, Serge Segay, Chuclk Welch, and Rea Nikonova. Several works depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Includes a descriptive article on bookbinding by Philip Smith that contains an illustration of his binding for "The Heart of a Humument" by Tom Phillips. This issue also includes a review of the Stamp Art exhibition, "Timbres d'Artistes," held at Musees de la Poste. The exhibition catalog of this show is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This volume of Miglietta's collection of concrete and visual poetry served as the catalogue for the exhibition at the Castello di Carlo V, in Lecce in November 1996. It was subtitled, "Sperimentazione, Verbo-Visuale, Multimediale, Mail-Art." The actual dates of completion of the catalogue was June 1996. The Sackner Archive is listed with contributions of catalogues to Miglietta of the 1984 Archive listing and several selected exhibition catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Contains International Art Post Editions Vol.1 No.1 1988, Vol.1 No.2 1988, Vol.2 No.1 1989, Vol.2 No.2 1989, Vol.2 No.3 1989, Vol.3 No.1 1990, Vol.4 No.1. 1991, Vol.5 No.3, 1992, Vol.6 No.1 1993, Vol.7 No.1 1994, Vol.12 No.12. Also contains Artistamp News Vol.1-6 (1-8) and issue number 11. The stamp sheets are held within plastic sleeve pages. Stamp sheets have been added from 1991-1999. Anna Banana signed and numbered some of her stamp sheets. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Piermario Ciani. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Guy Bleus. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Guy Bleus. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Ruggero Maggi. The essays and art works in this book all relate to the chaos and fractal theory in mathematics, art and poetry. As Angelo Bertani writes in his essay, On Apparent Order and Chaos, "What seems to be extremely significant is the artist's need (now extremely widespread) to go out from protected, appointed places and instead, contend directly with existence, with the richess of material, with the spaces of life: in this sense, the creeping crisis of painting, the growing prevalence of installations and video-works are a sign, beyond the current fashion of the will to contend with change, accident and the relative: the other names for chaos. Moreover, in a world where technology prevails, perhaps only the ways of art can inser ta fragment of liberty into the oppressive mechanism of necessity." -- Source of annotation: Marvin or Ruth Sackner.