Bentivoglio, Mirella, 1922-2017

Visual Poetry / Ancheshi G ; Below P ; Bentivoglio M ; Binga T ; Blaine J ; Blank I ; Bory JF ; Caruso L ; Cleveland B ; Costa C ; DellaCasa G ; Dencker KP ; DeRook GJ ; Etlinger A ; Ferri G ; Fontana G ; Gaglione B ; Gappmayr H ; Garnier P ; Gomringer E ; Gruber H ; Gualtieri M ; Helmes S ; Kocman JH ; Kolar J ; Kostelanetz R ; Lepage J ; Lora-Totino A ; Marcucci L ; Miccini E ; Miglietta E ; Miles ; Morrocchi G ; Nannucci M ; Niccolai G ; Ori L ; Osti M ; Partum A ; Perfetti M ; Pignotti L ; Rehfeldt R ; Wolf-Rehfeldt R ; Riddell A ; Sandri G ; Spatola A ; Takahashi S ; Tiziano F ; Valoch J ; Villa E ; Vigo EA ; Vitone G ; Xerra W., 1981

Item

Identifier: CC-40793-42768

Scope and Contents

This is the first exhibition of visual poetry in Greece. Giovanni Fontana contributed a critical essay. A short biography of each participating artist is included. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Poetry: Mail Art Project / Luc Fierens, curator ; Matsumoto A ; deAraujo A ; Restrepo T ; Rose M ; Adasme ; Galdamez J ; Paz H ; Altemus R ; Pontes H ; Kostelanetz R ; Marlowe W ; Todorovic M ; spence p ; Nakamura K ; Perkins S ; Pittore-Eurifico C ; Izumi N ; Ebel G ; Padin C ; Vleeskens C ; Stetser C ; Boschi A ; Bulatov D ; Chirot D ; Bentivoglio M ; Bennett JM ; Ferrando B ; Calleja JM ; Basinski M ; Garnier P ; Nikonova R ; Rabascall J ; Aguiar F ; Gappmayr H ; Pelati L ; Dencker KP ; DeVree F ; Sarenco ; Blaine J ; Castellin P ; Warnke U., 2002

Item

Identifier: CC-54934-990349

Scope and Contents Klaus Peter Dencker contributes an essay, From Concrete to Visual Poetry with a Glance into th Electronic Future: Since the 1960s I have established myself in the middle ground between literature, visual art, and film, practically and theoretically; what has been especially exciting has been investigating the origin and history of these border zones. Thus, beginning with the origins of writing, the picture alphabets, we have examples of the mixing of image &nd text from the Greek magical papyri to the early figure poems of the Greek bucolic poets, Porfiry's Latin gris poems, the variants of the successors to the Carolingean Renaissance, the Baroque text figures, the scrolls of the sixteenth century and their predecessors up to the free text-pictures of the turn of the century somewhat as in Mallarme and Apollinaire, which the experiments of the futurists and dadaists followed, continued, and expanded, to entirely unique forms brought through by the artists of concrete and...

Dates: 2002

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Visual Poetry / Peter Frank ; Arias-Misson A ; Bentivoglio M ; Blaine J ; Bory JF ; Carrega U ; Claus CF ; Finlay IH ; Miccini E ; Phillips T ; Sarenco ; Takahashi S ; Frank P ; Curtay JP., 1990

Item

Identifier: CC-00758-777

Scope and Contents

This exhibition was curated by Peter Frank. The Sackner Archive lent 12 pages of the "First Revised Edition of A Humument" to the exhibition. The catalogue includes essays by Arias-Misson, Frank, Miccini, and Sarenco as well as a chronology dealing with visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs