de Campos, Augusto, 1931-
Dates
- Existence: 1931-02-14-
Nationality
Brazilian
Found in 186 Collections and/or Records:
No.63 (C-D) / Am Here Books ; DeCampos A ; Caruso B ; Caws MA ; Chopin H ; Christie J ; Clark TA ; Cobbing B ; Corner P ; Corso G ; Cutts S ; Drachler R ; Drucker J., 1992
No.105 / Am Here Books ; Burroughs WS ; Gysin B ; Pelieu C ; Cage J ; DeCampos A ; Caws MA ; Cendrars B ; Chopin H ; Christie J ; Clark T ; Clark TA ; Cobbing B ; Cook G ; Corner P ; Corso G ; Crumb R ; cummings ee ; Bowering G ; Fahrner B ; Gallo P., 1996
Includes a dscription of an archive of Burroughs and Gysin offered for sale. -- Source of annotation: Marvin or Ruth Sackner.
Notes on the Translation of Augusto DeCampos' MEMOS (excerpts): Memos / Cluver, Claus; DeCampos A., 1981
Nova Poesia Vem Com Sarau No Ceu / Ascher, Nelson; DeCampos H; DeCampos A; Antunes A., 1991
Novas Selected Writings [Edited and with an introduction by Antonio Sergio Bessa and Odile Cisneros; Forward by Doland Greene], 2007
O Anticritico, 1986
O Que Ele Esta Fazendo: Augusto De Campos / Antunes, Arnaldo; DeCampos A., 1990
O Que Ele Esta Fazendo / De Campos, Augusto., 1990
O Rei Menos o Reino / De Campos, Augusto., 1951
These poems were composed between 1949 and 1951 and pre-date De Campos' concrete poetry. This was deCampos' first book. -- Source of annotation: Marvin or Ruth Sackner.
Op Kinkon & Eyear / Fricker, Frank, editor ; Herbert G ; Carroll L ; Mallarme S ; Gomringer E ; Houedard DS ; Bevan A ; Sampson J ; DeCampos A ; Garnier P ; Roth D ; Finlay IH ; Cobbing B ; Apollinaire G., 1966
Frank Fricker provides an historical introduction of concrete poetry, optical, kinetic and phonic poetry. -- Source of annotation: Marvin or Ruth Sackner.
Orientations: Space/Time/Image/Word / Cluver, Claus, editor ; Plesch, Veronique, editor ; Hoek, Leo, editor ; Boltanski C ; Kamensky V ; DeCampos A ; Pignatari D ; Xisto P ; deSouza EA., 2005
This book is number 5 in Word & Image Interactions. REgine Rapp contributes a chapter "Tango with Cows: Russian Futurist Book Art" in which she analyzes the book work of poet and artist Vasily Kamensky, a member of the group called Hylaea. Claus Cluver's essay "Mini-Icons: Letterforms, Logos , Logopoems" refers to the work of the Brazilian poets. Alan Prohm contributes an essay "Resources for a Poetics of Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
Os Riscos Concretos da Poesia / Comodo, Roberto; DeCampos A., 1990
Panorama Do Finnegans Wake, 1971
Paradada (FOR TLS AS-AG NO - 1964) / Houedard, Dom Sylvester; Gomringer E; Bill M; DeCampos A; Garnier P; Roth D; Wiener O; Bremer C; Gullar F; Azeredo R; Kitasono K; Dias-Pino W; Spanudis T; DeCampos H; Pignatari D; Ruhm G; Belloli C; Williams E., 1964
This essay was published in "The Times Literary Supplement" No.3,258 August 6 1964 in a slightly modified form from this manuscript. The Sackner Archive holds this issue of TLS. -- Source of annotation: Marvin or Ruth Sackner.
Paradada / Houedard, Dom Sylvester; Gomringer E; DeCampos A; DeCampos H; Pignatari D; Garnier P; Weaver M; Finlay IH; Chopin H; Furnival J., 1964
Paul Valery: A Serpente Eo Pensar, 1984
pensan / De Campos, Augusto., 1975 - 1991
Letters are printed from large white dots on a blue cloth background. This was a gift from Elisabeth Wahl. -- Source of annotation: Marvin or Ruth Sackner.
Pensan O Quase / De Campos, Augusto., 1987
POEM - TAKISTRUCT (or BIRHOPAL TAKISTRUCT (281164) & POEM - THE A & H DE CAMPOS BROS (061264) / Houedard, Dom Sylvester; Takis; DeCampos A; DeCampos H., 1964
Houedard has typed two poems a week apart on the same page. He utilized a complex mathematical procedure to arrive at this performance poetry presentation, much like the workings of Oulipo. -- Source of annotation: Marvin or Ruth Sackner.